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Legal narratives in the Babylonian Talmud.

机译:巴比伦塔木德的法律叙述。

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摘要

This dissertation identifies talmudic legal narratives as a literary genre and models a method of reading such narratives. Rabbinic texts are divided into two categories---Halakhah (law) and Aggadah (lore). This dichotomy has created different reading practices for halakhic and aggadic texts. Where scholars of Halakhah focus on historicizing halakhic texts by attending to textual composition in order to write the evolutionary trajectory of Jewish law, scholars of Aggadah---and specifically of aggadic narrative---employ a varied assortment of literary approaches to think of these texts as literature. Because talmudic legal narratives, stories located within the Talmud's legal discussions, are implicated in the matrix of Jewish legal precedent, they have generally been studied by scholars of Halakhah and, in the process, lost their uniqueness as narratives. This dissertation focuses on the narrativity of these texts and the way such narrativity describes law differently than the way law is described by statutes or discursive talmudic conversations.; The body of the dissertation consists of four readings of legal Sugyot (talmudic discussions) that feature narratives. Though these discussions are located within the same talmudic order (Neziqin-Torts), they are on the disparate topics of martyrdom, monopoly, bailee liability and courtroom postures. All four readings use legal narratives to conceive of the law not merely as a set of rules and institutions, but as a culture of legal meaning which legal rules and institutions both inhabit and help constitute. In thinking about legal meaning as a form of cultural meaning, the four chapters put the discussion of law in each Sugyah (talmudic discussion) into conversation with psychology, sociology, economics, anthropology and politics. The forays into these other discourses are facilitated by theoretical incursions into the contemporary fields consituted around those subjects.; The four readings call attention to the tension between the interior space of the rabbinic academy and the world outside those figurative walls. The stories highlight the extent to which assertions of rabbinic power are the product of anxieties about the collapse of the idealized interior world and the position of rabbis within that world.
机译:本文将塔塔木式的法律叙事识别为一种文学体裁,并对阅读此类叙事的方法进行了建模。拉比的文本分为两类-哈拉哈(法律)和阿加达(知识)。这种二分法为阿拉伯文和异教文字创造了不同的阅读习惯。哈拉哈(Halakhah)的学者着重于通过着眼于文本的构图来使哈拉克语文本历史化,以便写下犹太法律的演变轨迹,而阿加达(Aggadah)的学者,尤其是犹太叙事的作家,则采用了各种各样的文学方法来思考这些问题。文本作为文学。由于塔木德法律讨论中的故事性法律叙事与犹太法律先例有关,因此,哈拉哈学者对其进行了一般研究,在此过程中,它们失去了叙事的独特性。本文着眼于这些文本的叙事性,这种叙事性描述法律的方式与成文法或话语性谈话的法律描述方式不同。论文的主体包括以叙事为特色的法律Sugyot(民俗性讨论)的四种读物。尽管这些讨论是在同一口头命令中进行的(Neziqin-Torts),但它们是关于难,垄断,受托人责任和法庭立场的不同主题。所有这四种解读都使用法律叙事来将法律构想成不仅是一套规则和制度,而且是一种法律意义文化,由法律规则和制度共同构成和构成。在将法律意义视为一种文化意义的形式时,这四章将每个Sugyah中的法律讨论(talmudic讨论)与心理学,社会学,经济学,人类学和政治进行了对话。从理论上侵入那些主题周围的当代领域,便促进了对其他论述的涉猎。这四个读物引起人们对阿拉伯书院内部空间与那些比喻墙外世界之间的紧张关系的关注。这些故事强调了拉比权力的主张在多大程度上是对理想化内部世界的崩溃和拉比在该世界中的地位的焦虑的产物。

著录项

  • 作者

    Wimpfheimer, Barry Scott.;

  • 作者单位

    Columbia University.;

  • 授予单位 Columbia University.;
  • 学科 Religion General.; Law.; Literature Classical.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 424 p.
  • 总页数 424
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 宗教;法律;世界文学;
  • 关键词

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