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Domestic agents: Women, war and literature in early modern England.

机译:国内特工:近代早期英国的妇女,战争和文学。

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摘要

How did early modern literary narratives of war represent women? English culture became intensely occupied with war during two historical periods: the late Elizabethan years, when England engaged militarily in multiple European conflicts, and then the mid-seventeenth century when the internal conflicts of the English Civil War plagued the country. These periods produced a "culture of war" in which literature participated, and an important but heretofore unexamined facet of literary representations of war is women's domestic roles. Women were traditionally defined by Renaissance gender ideology through their domestic associations with marriage, the household, and the private sphere. In literature about war, I find that women's domesticity intensifies in importance to the fate of the nation both symbolically and literally.; Driven by a broad concern to explore the relationship between the emergent notions of the public and private in the early modern period, this project connects two areas of literary criticism: historicist literary criticism on England's politics and nationalism, and feminist criticism about gender roles. In the traditional genres of tragedy, history and epic that were typically devoted to the exploits of men in the public spheres of the court and battlefield, the canonical authors Shakespeare and Spenser also addressed women's roles in war, representing their idealized conduct as crucial to national identity and social order, but also expressing common cultural anxieties. Turning to the Civil War period, when women's roles in the public sphere and in war considerably expanded, the project broadens out to include court literature, popular poetry, and writing by women that addresses women's changing domestic roles. I examine literary representations of the controversial Queen Henrietta Maria in peace and wartime, Margaret Cavendish's dramatic representations of women in domestic and civic arenas, and finally the private letters of Lady Brilliana Harley documenting her domestic role as wife and mother along with her defense of the family castle. Wartime, as a crisis of political and social order, heightened the stakes for women's domestic roles, constructing women's agency and sexuality as a matter of nationalist virtue, but also as matter for anxiety when women's domestic conduct increased in public importance.
机译:早期的现代战争文学叙述如何代表女性?在两个历史时期内,英国文化被战争深深地占领:伊丽莎白时代晚期,当时英国在军事上参与了多次欧洲冲突,然后十七世纪中叶,英国内战的内部冲突困扰了该国。这些时期产生了文学参与的“战争文化”,战争文学作品的一个重要但至今尚未检验的方面是妇女的家庭角色。传统上,文艺复兴时期的性别意识形态通过与婚姻,家庭和私人领域的家庭联系来界定妇女。在有关战争的文献中,我发现女性的家庭象征意义和字面意义日益增强了对民族命运的重视。该项目受到人们广泛关注,探讨了近代早期公共和私人观念之间的关系,将文学批评的两个领域联系在一起:历史主义对英国政治和民族主义的文学批评,以及对性别角色的女权主义批评。在典型的悲剧,历史和史诗传统流派中,典型的作品是在法院和战场的公共领域中对男人的剥削,经典著作莎士比亚和斯宾塞也谈到了妇女在战争中的作用,认为她们的理想行为对国家至关重要身份和社会秩序,但也表达出共同的文化焦虑。转向内战时期,当女性在公共领域和战争中的作用大大扩展时,该项目扩大了范围,包括宫廷文学,通俗诗歌和女性写作,以解决女性在家庭中的角色变化。我考察了和平与战时备受争议的女王亨利埃塔·玛丽亚(Men Henrietta Maria)的文学作品,玛格丽特·卡文迪许(Margaret Cavendish)在家庭和公民舞台上对女性的戏剧性表现,最后考察了布里莉安娜·哈雷夫人的私人信件,这些信证明了她作为妻子和母亲的家庭角色以及对妇女的辩护。家庭城堡。战争时期,作为政治和社会秩序的危机,增加了妇女在家庭中的作用,这不仅是民族主义的美德,而且在妇女的家庭行为在公众中的重要性日益提高时,也要为焦虑症而建立妇女的代理机构和性行为。

著录项

  • 作者

    Gross, Elizabeth Anne.;

  • 作者单位

    The Pennsylvania State University.;

  • 授予单位 The Pennsylvania State University.;
  • 学科 Womens Studies.; Literature English.
  • 学位 Ph.D.
  • 年度 2006
  • 页码 275 p.
  • 总页数 275
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 社会学;
  • 关键词

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