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All kids out of the pool!: Brand identity, television animations, and adult audience of Cartoon Network's Adult Swim.

机译:所有孩子都从游泳池中脱颖而出!:品牌识别,电视动画和卡通网络成人游泳的成人观众。

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摘要

This dissertation examines Adult Swim, Cartoon Network's late-night programming block, which has developed into one of the most popular entertainment brands for adults. Expressing and shaping adult sensibilities of the time Adult Swim has been able to become the most popular cable network for (male) adults 18 to 34 years old. Launched in 2001, Adult Swim emerged at a moment in the U.S. when technological developments were changing the television landscape and the meaning of adulthood was fervently being discussed in the media as assumptions and realities of adult life continued to be in conflict. The goal of this dissertation is to understand the contemporary society and media culture as well as the defining characteristics and tensions of contemporary adulthood, adult taste, and adult culture by investigating Adult Swim's rise to a popular entertainment brand among young adults. Through a contextualized critical analysis of selected Adult Swim television texts, representation of Adult Swim in the mainstream press, and Adult Swim fans' online discussions in Adult Swim's official message boards this dissertation interrogates what branding/programming strategies it uses to appeal to its "adult" viewers, how it constructs and understands its "adult" viewers, and how it establishes its brand identity.;With its low-budget, Do-It-Yourself (DIY) style of cartoon and live comedy series that are full of ironic, pop culture references and absurd, surreal humor, Adult Swim has established a unique sensibility that resonates with many young adults and built itself as a "different" and "creative" network brand. However, this dissertation demonstrates that Adult Swim's "unconventional," "edgy" brand identity relies on its male-centric programming strategies that either render women invisible or make use of blatantly sexist jokes for its "adult" appeal. In addition, this dissertation explains that despite featuring many queer characters Adult Swim appropriates queer identity and politics to advance itself as a "subversive," "non-mainstream" and "different" network (a brand identity that greatly appeals to young adults) rather than to subvert heteronormativity and promote LGBT rights. Furthermore, this dissertation interrogates how Adult Swim uses interactive media to invite its viewers to participate in shaping and maintaining its brand identity as a network that "listens to" its viewers and to form sensibility and feelings of conand to construct o form an affective relationship with the Adult Swim brand and to establish itself as a brand that "listens to" and understands the sensibility, affect, and feelings of contemporary young adults who comprise the Adult Swim audience.
机译:本文研究了卡通网络的深夜节目块《成人游泳》,该节目已发展成为成人最受欢迎的娱乐品牌之一。表达和塑造当时成人的敏感性成人游泳已成为18至34岁(男性)成年人最受欢迎的有线网络。成立于2001年的成人游泳节在美国出现,当时技术发展改变了电视格局,由于成人生活的假设和现实继续发生冲突,媒体对成人的意义进行了热烈的讨论。本文的目的是通过调查《成人游泳》在年轻人中的流行娱乐品牌的崛起,了解当代社会和媒体文化,以及当代成人,成人品味和成人文化的特征和张力。通过对选定的《成人游泳》电视文字进行语境化的批判性分析,在主流媒体中对《成人游泳》的表示以及在《成人游泳》官方留言板上进行的《成人游泳》粉丝在线讨论,本论文审视了其使用何种品牌/节目策略来吸引其“成人”观众,它如何构建和理解其“成人”观众以及如何建立其品牌形象。;凭借其低预算,自己动手制作(DIY)的卡通风格和生动的喜剧系列,具有讽刺意味,流行文化参考和荒诞,超现实的幽默感,Adult Swim建立了独特的敏感性,并引起了许多年轻人的共鸣,并将自己打造为“不同”和“创意”的网络品牌。但是,本文证明,Adult Swim的“非常规”,“前卫”品牌标识依赖于其以男性为中心的编程策略,该策略使女性不可见或利用公然的性别歧视笑话来表达“成人”的吸引力。此外,本论文还说明了,尽管成人游泳具有许多酷儿角色,但他们还是通过酷儿的身份和政治手段将自己塑造成“颠覆性”,“非主流”和“不同”的网络(对年轻人非常有吸引力的品牌形象)而不是颠覆异质性并促进LGBT权利。此外,本论文探讨了《成人游泳》如何利用互动媒体邀请其观众参与塑造和维护其品牌形象,以此作为“倾听”其观众的网络,并形成感性和共鸣感,从而与他人建立情感关系。成人游泳品牌,并建立自己的品牌,以“倾听”并了解构成“成人游泳”受众的当代年轻人的敏感性,情感和感觉。

著录项

  • 作者

    Lee, Hye Jin.;

  • 作者单位

    The University of Iowa.;

  • 授予单位 The University of Iowa.;
  • 学科 Mass Communications.
  • 学位 Ph.D.
  • 年度 2013
  • 页码 317 p.
  • 总页数 317
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:41:05

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