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Bronte novels and their early feminist companion texts.

机译:勃朗特小说及其早期的女权伴侣小说。

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摘要

In this project, I propose that the Bronte sisters engaged in a literary dialogue with some of their female predecessors, thereby contributing to early feminist discourse. Reading the Bronte novels as companion texts to earlier feminist works, such as Eliza Fenwick's Secresy, Mary Hays's Memoirs of Emma Courtney, and Charlotte Smith's Desmond, offers a new perspective on various elements in the novels, such as Bertha's laugh in Jane Eyre, on Catherine's ghost in Wuthering Heights, and on Helen's unlikely union with Gilbert Markham in The Tenant of Wildfell Hall. Charlotte Bronte's later novels, Shirley and Villette , continue the dialogue begun by Fenwick, Hays, and Smith and expounded upon by the Bronte sisters in their earlier, more well-known works.;By putting the Brontes in dialogue with their earlier feminist counterparts, who were similarly accused of being "unsexed females," we gain a new understanding of the feminist themes in Bronte literature, which include the themes of female companionship, of female passion, and of matrimonial misery. Additionally, we gain a new understanding of women novelists from the late eighteenth century, once popular, who have faded into the background of literary studies. What is most shocking, however, is the discovery that the Brontes were much less conservative than subsequent biographers would have us believe.;Charlotte Bronte's fear of being rejected by both her publishers and her readers seems to have prevented her from associating herself with earlier feminists who were more condemned in Bronte's lifetime, the more conservative nineteenth century, than they had been in their own lifetime, the late eighteenth century. The most Charlotte Bronte seemed able to do was to use her novels as a platform for her feminist agenda. It is time to demystify "the Bronte Myth" and to place the Bronte sisters' novels alongside their early feminist companion tests, thereby revealing the rich female literary tradition for which Virginia Woolf was searching but unable to find.
机译:在这个项目中,我建议勃朗特姐妹与他们的某些女性前辈进行文学对话,从而促进早期的女权主义话语。阅读勃朗特小说作为早期女权主义作品的配套文本,例如伊丽莎·芬威克的《秘密》,玛丽·海斯的《艾玛·考特尼的回忆录》和夏洛特·史密斯的《戴斯蒙德》,为小说中的各种元素提供了新的视角,例如伯莎在《简爱》中的笑声。凯瑟琳的鬼魂在《呼啸山庄》中,以及海伦与威尔德费尔·霍尔的租户吉尔伯特·马克汉姆的联合不太可能。夏洛特·勃朗特(Charlotte Bronte)后来的小说《雪莉(Shirley)》和《维莱特(Villette)》继续了由芬威克(Fenwick),海斯(Hays)和史密斯(Smith)展开的对话,并由勃朗特姐妹在其较早的,更著名的作品中进行了阐述;通过使勃朗特(Brontes)与较早的女权主义者对话,同样被指控为“未性别女性”的人,我们对勃朗特文学中的女权主义主题有了新的理解,其中包括女性陪伴,女性激情和婚姻苦难的主题。此外,我们对18世纪晚期曾经流行的女性小说家有了新的了解,这些女性小说家已经淡出了文学研究的背景。然而,最令人震惊的是,发现勃朗特人的保守性远不如后来的传记学家所相信。夏洛特·勃朗特(Charlotte Bronte)担心自己的出版商和读者都会拒绝她,这似乎阻止了她与早期的女权主义者交往。在勃朗特(Bronte)的一生(即19世纪更为保守)中,他们受到的谴责要比18世纪后期的一生中的人们更为受谴责。夏洛特·勃朗特(Charlotte Bronte)似乎最能做的就是将她的小说用作其女权议程的平台。现在该揭开“勃朗特神话”的神秘面纱,并将勃朗特姐妹的小说与早期的女权主义伴侣测验放在一起,从而揭示弗吉尼亚·伍尔夫一直在寻找但找不到的丰富女性文学传统。

著录项

  • 作者

    Fisk, Nicole Plyler.;

  • 作者单位

    University of South Carolina.;

  • 授予单位 University of South Carolina.;
  • 学科 Womens Studies.;Literature English.
  • 学位 Ph.D.
  • 年度 2007
  • 页码 201 p.
  • 总页数 201
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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