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'Ye Living Building': Spirit, Space, and Ritual Encounter in Shaker Architecture.

机译:“ Ye Living Building”:振动筛建筑中的精神,空间和仪式遭遇。

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摘要

This dissertation examines the origin of Shaker architecture and its dynamic interrelationship with theology and religious practice. The goal is an understanding of the spiritual genesis and ritual presence of Shaker building and design during the movement's formative decades. From obscurity during the Revolution the Shakers built 18 villages by the 1820s, constructing scores of buildings from Maine to Kentucky that embodied their ideals of order and utility as expressions of spiritual immanence. As the Shakers began defining themselves architecturally in the 1780s, theologically-based practices of ecstatic dance, celibacy, gender equality, common property, and separatist withdrawal had extraordinary architectural implications.;The key to Shaker society was millennial perfection, and it was a powerful idea. Meeting and dwelling houses were designed to meet their needs for a large unobstructed dance floor for worship and living spaces for extended "families" of celibate members. These structures expressed Shaker concepts of the duality and completion of God. For Shakers order was "heaven's first law." This orientation is readily identifiable in architectural patterns of centrality, symmetry, hierarchy, axiality, and boundary that suggest a conscious shaping of the village landscape in accordance with theological beliefs. Such manifestations of order symbolized an enveloping divine "presence," a kind of spiritual embellishment encoded throughout each village. Exposition of this iconography of the spirit reveals how architecture participated in community devotional life and suggests the village landscape functioned as a ritual matrix where the day to day was charged with spiritual implications at every turn.;This study of Shaker architecture explores the intersection of architecture and religion, bringing spirituality to the forefront. It demonstrates that principal Shaker buildings embodied and reinforced spiritual doctrine through explicit spatial hierarchies and collaborated with ritualized behaviors that aspired to enact the holy throughout Shaker life. As the Shakers moved through their buildings and landscapes in silent ordered processions, buildings and Believers participated in a richly collaborative process. And as spatial and spiritual dimensions merged village life offered participation in an ongoing liturgy of the everyday, expressing time and place as continuously transcendent.
机译:本文考察了摇床建筑的起源及其与神学和宗教实践的动态关系。目的是了解运动发展阶段数十年来摇床的建造和设计的精神起源和仪式存在。从革命期间的默默无闻开始,震撼者到1820年代建造了18个村庄,建造了从缅因州到肯塔基州的数十座建筑,这些建筑体现了他们的秩序和效用理想,是精神内在的体现。随着1780年代摇床开始在建筑上进行自我定义,狂热舞蹈,独身生活,性别平等,共同财产和分离主义退缩的基于神学的实践对建筑产生了非凡的意义;摇床社会的关键是千禧年的完美,这是一个强大的功能。理念。会议和住所的设计旨在满足他们对于大型的畅通无阻的舞池的需求,该舞池用于朝拜,并为独身成员的扩展“家庭”提供生活空间。这些结构表达了摇晃者关于神的双重性和完备性的概念。对于振荡器来说,秩序是“天堂的第一定律”。这种方向很容易在中心性,对称性,等级结构,轴向性和边界的建筑模式中确定,这些模式暗示了根据神学信仰对村庄景观的自觉塑造。这种秩序的体现象征着神圣的“存在”,一种在每个村庄中编码的精神装饰。这种精神意象的阐释揭示了建筑如何参与社区的奉献生活,并暗示了乡村景观起着仪式矩阵的作用,每天在每一转弯处都受到精神的影响。和宗教,将灵性带到了最前沿。它表明,主要的摇床建筑通过明确的空间层次结构来体现和加强精神主义,并与渴望在整个摇床生活中树立圣洁的仪式化行为协作。当振动台在无声的游行队伍中穿越建筑物和景观时,建筑物和信徒们参与了丰富的协作过程。随着空间和精神层面的融合,乡村生活提供了对日常日常礼仪的参与,将时间和地点表达为不断超越。

著录项

  • 作者

    McLendon, Arthur E.;

  • 作者单位

    University of Virginia.;

  • 授予单位 University of Virginia.;
  • 学科 Art History.;Architecture.;Spirituality.
  • 学位 Ph.D.
  • 年度 2010
  • 页码 471 p.
  • 总页数 471
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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