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Everything stems from nothing.

机译:一切都源于虚无。

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摘要

In sixteenth century Europe, mathematics was undergoing a transformation. Prominently among these changes were the switch from roman numerals to arabic numerals and the implementation of the number zero. The number zero has two main functions: to stand on its own as a symbol of nothing and to function as a placeholder. Thus, zero can be a symbol of nothing as well as a number that dramatically increases the value of the others. The dual roles of zero led to much confusion in early modern people.; Shakespeare uses the different roles of zero in his plays Richard III, Hamlet, and King Lear to illustrate women's paradoxical relation to power. Monarchal power is dependent upon having sons to pass the throne to. Thus, kings are dependent upon women for procreation. Similarly, young men who are in line for the throne are dependent upon their mothers to maintain their place in line. If a prince was born out of wedlock, then he stands to lose everything. Women have a surprising amount of power because the system depends on them to produce heirs. Conversely, women are also subjugated in a system of patriarchal inheritance. Women have virtually no say in political matters and have little rights to hold property. Early modern women in a patriarchal system fill both roles of being nothing: they simultaneously have no power on their own, while having the power to give value to others.; On the other hand, men have a purely negative experience when they become nothing. The men of the play are the ones that are endowed with value by their mothers; therefore they are something, or anything but nothing. When a man becomes nothing, he loses all of his power. Furthermore, men do not have the reproductive capabilities of women, so they lack the ability to add to someone's value. When a man becomes nothing, he has less power than a woman because he does not have the ability to endow a child with value. Shakespeare uses the new language of mathematics to illustrate the relationship between gender, patriarchy and power.
机译:在16世纪的欧洲,数学正在发生变革。这些变化中最突出的是从罗马数字到阿拉伯数字的转换以及数字零的实现。数字零具有两个主要功能:单独代表无内容,并充当占位符。因此,零可以是无符号,而数字则可以显着增加其他值。零的双重作用导致了现代人的困惑。莎士比亚在其戏剧《理查三世》,《哈姆雷特》和《李尔王》中运用了零的不同角色来说明女性与权力之间的悖论关系。君主的权力取决于有儿子将王位传给他。因此,国王要依靠妇女生育。同样,排在宝座前的年轻人也要依靠母亲来保持排位。如果王子非婚生,那么他将失去一切。妇女拥有出乎意料的权力,因为该制度依靠她们来产生继承人。相反,妇女也被父权制继承。妇女实际上在政治事务上没有发言权,几乎没有财产拥有权。父权制下的早期现代女性扮演着虚无的双重角色:她们同时没有自己的力量,却有能力为他人赋予价值。另一方面,男人一无所成,则具有纯粹的消极经历。戏剧中的男人是母亲所赋予的价值的人。因此它们是什么,或者什么也没有。当一个人变得一无所有时,他将失去全部力量。此外,男人没有女人的生殖能力,因此他们缺乏增加某人价值的能力。当男人变得一无所有时,他的能力比女人低,因为他没有能力赋予孩子有价值的能力。莎士比亚使用新的数学语言来说明性别,父权制和权力之间的关系。

著录项

  • 作者

    Theis, Daniel Richard.;

  • 作者单位

    Clemson University.;

  • 授予单位 Clemson University.;
  • 学科 Literature English.
  • 学位 M.A.
  • 年度 2007
  • 页码 72 p.
  • 总页数 72
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I561;
  • 关键词

  • 入库时间 2022-08-17 11:39:11

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