声明
致谢
Chapter One Introduction
1.1 Bernard Shaw and Pygmalion
1.2 Literature review
1.2.1 Studies on Pygmalion in China
1.2.2 Studies on Pygmalion abroad
1.3 Theoretical framework
1.4 Purpose and significance of the thesis
Chapter Two Paratextuality between Drama Text and Preface and Postscript of Pygmalion
2.1 Preface in Pygmalion as a professional circumstance
2.2 Postscript in Pygmalion as Bernard Shaw’s fight against a happy ending
Chapter Three Metatextuality between Drama Text and the Translator’s Preface
3.1 Social context and Chinese translations of Pygmalion
3.2 Translator’s preface as an indispensable part in translation
3.3 Translator’s preface as comments and a pre-understanding to drama
Chapter Four Intertextuality between Pygmalion and My Fair Lady
4.1 The echo in social context
4.2 The borrowing and extension in theme
4.3 The reinterpretation of Higgins’s and Eliza’s images in My Fair Lady
Chapter Five Conclusion
参考文献
中南财经政法大学;