声明
Introduction
0.1 General Introduction to Walter Mosley and Devil in a Blue Dress
0.2 Literature Review
0.2.1 Studies Abroad
0.2.2 Studies at Home
0.3 Theory of Spatial Narrative
Chapter One Oppositions Between Spaces in the Topographical Dimension
1.1 Objective Level: Inside Home and World Outside
1.1.1 Inside: Little House of Easy Rawlins
1.1.2 Outside: Plantation
1.2 Ontological Level: White Area and Black Community
1.2.1 Up: White Area
1.2.2 Down: Black Community
Chapter Two Relationships Between Spaces in the Chronotopic Dimension
2.1 Diachronic Relations: Journey of Easy Rawlins’Awakening
2.2.1 From Home to Home: Self-Lost
2.1.2 From Home to City Hall: Self-Awakening
2.2 Synchronic Relations: Rest and Motion
2.2.1 Oppression: White Characters at Rest and Easy Rawlins in Motion
2.2.2 Illusion: Daphne Monet at Rest and Easy Rawlins in Motion
Chapter Three Reflection of Spaces in the Textual Dimension
3.1 Selectivity of Language: Oppression and Adherence
3.1.1 Space of Overriding Power: Description ofAppearances
3.1.2 Ethnic Space: Description of Spoken Languages
3.2 Beyond Time: Historical Basis
3.2.1 The Second World War from Easy’s Perspective
3.2.2 The Great Migration from Easy’s Perspective
3.2.3 Black Movement from Easy’s Perspective
Conclusion
参考文献
致谢
山东师范大学;
