ABSTRACT
摘要
CONTENT
Chapter One Introduction
1．1 Angela Carter：Life and Work
1．1．1 Life of Angela Carter
1．1．2 Nights at the Circus
1．2 Literature Review
1．2．1 Foreign Studies on Nights at the Circus
1．2．2 Domestic Studies on Nights at the Circus
1．3 Research Objective
1．4 Thesis Structure
Chapter Two Theoreticai Framework
2．1 Introduction to Narratology
2．2 Methodology of Narratology
2．2．1 Narrtor and Narrative Voice
2．2．2 Focalization and Types of Focalization
2．2．3 Implied Author
Chapter Three Telling Feminist Consciousness in Nights at the Circus
3．1 Narrative Voice
3．1．1 Extradiegetic-Heterodiegetic Narrator
3．1．2 Protagonist as Narrator
3．1．3 Other People as Narrator
3．2 Narrative Focalization
3．2．1 Fixed Internal Focalization
3．2．2 Variable Internal Focalization
3．2．3 First-Person Retrospective Focalization
3．2．4 Zero Focalization
3．3 The Separation of Narrative Voice and Focalization
3．3．1 The Separation of Narrator’s Voice and Focalization：Fevver’s Image in Walser’s Eyes
3．3．2 The Separation of Fevver’s Voice and Focalization：Rewriting Fairy Tales———Women’s Life in Museum of Women Monsters
3．4 The Overlap of Narrative Voice and Focalization
3．4．1 The Overlap of Narrator’s Voice and Focalization
3．4．2 The Overlap of Fevver’s Voice and Focalization：Female Community——Women’s Life in Brothel
3．4．3 The Overlap of Other Minor Character’s Voice and Focalization
3．5 Implied Author：Search for an Equal World
Chapter Four Conclusion
4．1 Contributions of the Research
4．2 Limitations of the Research
4．3 Suggestions for Further Research
Bibliography
Acknowledgments
声明
