文摘
英文文摘
原创性声明及关于学位论文使用授权的声明
Chapter 1 Introduction
Chapter 2 Literature Review
2.1 Ezra Pound and Image
2.1.1 Ezra Pound's Life
2.1.2 Concept of Image
2.2 Ezra Pound's Literary Viewpoints
2.2.1 Pound's Viewpoints Concerning Victorian Poetry
2.2.2 Pound's Viewpoints Concerning Classical Chinese Poetry
2.2.3 Pound's Viewpoints Concerning “Image”
2.3 Ezra Pound and Imagism
2.4 Theoretical Basis of Imagism
2.4.1The Influence of W. B. Yeats
2.4.2 Ford Madox Ford's Impressionism
2.4.3 Pound's Attempt to Synthesize Symbolism and Impressionism in Imagism
2.5 Features of Pound's Imagist Poems
Chapter 3 Theoretical Framework
3.1 Language and Poetry
3.2 A General Survey of Semiotics
3.2.1 Definition of Semiotics
3.2.2 The Domain of Semiotics
3.2.3 Semiotic Fundamentals
3.3 An Overview of Semiotic Background
3.3.1 The Saussure's Semiotic Theory Based on Linguistics
3.3.2 Roland Barthes' Theory
3.3.3 C. S. Peirce's Triadic Sign Theories
3.3.4 Susanne Langer's Artistic Semiotics
3.4 The Advantages of a Semiotic Approach to Poetry
Chapter 4 Poetic Image as a Sign in Pound's Poems
4.1 Poetic Image and Poetic Sign
4.2 Signifier of Poetic Image
4.3 Signified of Poetic Image
4.4 Signification of Poetic Image
Chapter 5 Interpretation of Poetic Images in Pound's Poems
5.1 A Semiotic Approach to the Interpretation of Poetic Image
5.1.1 Semiotic Theories of Interpretation
5.1.2 A Semiotic Approach to the Interpretation of Poetic Image
5.2 Two Semiotic Models of the Interpretation of Poetic Image
5.2.1 Segmentation
5.2.2 Unification
5.3 Application of the Interpretive Approach
Chapter 6 Conclusion
Bibliography
Acknowledgements
Publications
