声明
摘要
Abstract
Contents
Introduction
1.Literature Review
2.Theoretical Framework
3.Research Questions and Thesis Statement
4.Thesis Structure
Chapter One The Employment of Parody in Rosencrantz and Guildenstern are Dead
Chapter Two The Creation of Antiheroes Rosencrantz and Guildenstern are Dead
Chapter Three The Adoption of Themes in Rosencrantz and Guildenstern are Dead
Conclusion
Acknowledgments
Works Cited
Appendix