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SAN FRANCISCO'S NEW ASIAN ART MUSEUM

机译:旧金山的新亚洲艺术博物馆

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The City of San Francisco's Old Main Library, a 1917 historic building constructed of structural steel andunreinforced brick masonry, was recently renovated and transformed into the New Asian Art Museum.The Museum houses an irreplaceable collection of Asian art and artifacts, including immensely valuable,brittle Ming Dynasty vases, and represents the largest non-property asset in the City of San Francisco withan estimated value of $5 Billion. The adaptive reuse of the 180,000 sq. ft. building was orchestrated bythe Milanese architect, Gue Aulenti, FAIA, known for her adaptive reuse of the Gare D'Orsay, a Parisiantrain station, into the internationally reknowned Musee D'Orsay.The seismic design criteria for the project was certainly to protect the brittle and vulnerable historic fabricand structure of the building. However, the primary objective was to protect the art collection on displayand in storage. For both 'moderate' and 'severe' earthquakes, the goal was to suffer no loss in collectionvalue.The Museum structure and collection were seismically protected by a combination of base isolation andsuperstructure reinforcement. The isolation bearings were placed over a reinforced mat foundation systembelow the original slab on grade. A new suspended floor, above the isolation plane, supports basementloads. Reinforced concrete shear walls, from the top of the basement floor to the roof level, provided acomplete and rigid lateral load path for all sections of the building. Floor diaphragm reinforcement andcollector lines tied the existing and new floors into the shear walls.Base isolation combined with superstructure reinforcement provided the most reliable protection availableto the artifacts stored and displayed in the Museum. Base isolation allowed architectural freedom tomanipulate the floor plate in a manner that optimized gallery space and light distribution. The seismicdemands imposed on displayed artifacts were reduced to a level for which conventional artifact bracingmethods could be effective.
机译:旧金山市的旧主图书馆,是一栋1917年的历史建筑,由钢结构和未加固的砖砌结构建造而成,最近进行了翻新,并改建成了新亚洲艺术博物馆。该博物馆收藏了许多不可替代的亚洲艺术品和手工艺品,包括珍贵的,易碎的明代花瓶,代表旧金山市最大的非财产资产,估计价值50亿美元。这座18万平方英尺建筑的自适应再利用是由FAIA米兰建筑师Gue Aulenti精心策划的,以将巴黎火车站Gare D'Orsay自适应再利用到国际知名的奥赛博物馆中而闻名。该项目的标准当然是保护建筑物的脆弱和脆弱的历史结构。但是,主要目的是保护陈列和储存的艺术品。对于“中度”和“严重”地震,目标是不增加馆藏价值。博物馆的结构和馆藏通过基础隔离和上部结构加固相结合来进行地震保护。将隔离轴承放置在原始平板下面的加强垫基础系统上。隔离平面上方的新悬浮地板可支撑地下室荷载。从地下室地板的顶部到屋顶水平的钢筋混凝土剪力墙为建筑物的所有部分提供了完整而刚性的侧向荷载路径。地板隔膜加固和收集线将现有和新地板连接到剪力墙。基础隔离加上上层建筑加固为博物馆中存储和展示的文物提供了最可靠的保护。基础隔离使建筑自由地以优化画廊空间和光线分布的方式来操纵地板。施加在显示的伪像上的地震需求降低到了常规伪像支撑方法可能有效的水平。

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