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A Study of the Materials of Pontormo's 'Portrait of Alessandro de' Medici'

机译:蓬托尔莫《亚历山德罗·德·美第奇肖像》材料研究

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摘要

In studies of the materials of old master paintings, the characterization of thin and degraded layers often presents unusual challenges for routinely used methods of analysis. This paper discusses analyses performed as part of a study of the materials and techniques of Pontormo's "Portrait of Alessandro de' Medici" (1534-5) carried out during a recent cleaning and restoration of the painting. Pontormo built up the portrait using a complex sequence of preparation, drawing and paint layers, the analysis of which was complicated further in some areas by the presence of degraded materials on the paint surface. The materials used for the various stages of preparation and painting were characterized by gas chromatography/mass spectrometry (GCMS), Fourier transform infrared microspectroscopy (FTIR) and scanning electron microscopy with energy dispersive spectroscopy (SEM-EDS). The focus of this paper will be the particular approaches taken to the characterization of the preparation layers and degraded surface materials.
机译:在研究旧画作的材料时,薄层和退化层的表征常常给常规使用的分析方法提出不同寻常的挑战。本文讨论了在最近清洗和修复这幅画的过程中作为对Pontormo的“亚历山德罗·德·美第奇肖像”(1534-5)的材料和技术研究而进行的分析。蓬托尔莫使用一系列复杂的准备工作,绘图和油漆层来构建人像,由于油漆表面上存在降解的材料,因此在某些区域的分析变得更加复杂。通过气相色谱/质谱(GCMS),傅立叶变换红外光谱(FTIR)和带能谱的扫描电子显微镜(SEM-EDS)对用于制备和涂漆各个阶段的材料进行了表征。本文的重点将是用于表征制备层和降解的表面材料的特定方法。

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