首页> 外文期刊>Spectrochimica acta, Part A. Molecular and biomolecular spectroscopy >In-situ technical study of modern paintings part 1: The evolution of artistic materials and painting techniques in ten paintings from 1889 to 1940 by Alessandro Milesi (1856-1945)
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In-situ technical study of modern paintings part 1: The evolution of artistic materials and painting techniques in ten paintings from 1889 to 1940 by Alessandro Milesi (1856-1945)

机译:现代绘画的原位技术研究第1部分:1889至1940年的艺术材料与绘画技术的演变由Alessandro Milesi(1856-1945)

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A complementary multi-analytical in-situ approach has been adopted for the investigation of a corpus of ten paintings dating from 1889 and 1940 by the Venetian painter Alessandro Milesi (1856-1945), from the collection of the International Gallery of Modern Art Ca' Pesaro in Venice. Analyses were performed in situ with digital imaging, elemental and spectroscopic analysis. The analysis of pigments and binding media and their possible deterioration patterns were studied with a combination of X-Ray Fluorescence (XRF) Spectroscopy, External Reflection- Fourier Transform Infrared Spectroscopy (ER-FTIR) and Raman Spectroscopy. These analytical methods provide information regarding the evolution of the artist's palette and the painting techniques adopted in painting. Data suggest the widespread detection of zinc carboxylates, with implications for conservation and display. (C) 2019 Elsevier B.V. All rights reserved.
机译:通过威尼斯画家Alessandro Milesi(1856-1945),从1889年和1940年,从1889年和1940年(1856-1945),来自现代艺术馆的国际画廊的收集,采用了一项互补的多分析原位方法。 比塞罗在威尼斯。 以数字成像,元素和光谱分析原位进行分析。 用X射线荧光(XRF)光谱,外反射 - 傅里叶变换红外光谱(ER-FTIR)和拉曼光谱学研究了颜料和结合介质的分析及其可能的劣化模式。 这些分析方法提供了有关艺术家调色板的演变和绘画中采用的绘画技术的信息。 数据表明锌羧酸锌的广泛检测,具有保护和显示的影响。 (c)2019 Elsevier B.v.保留所有权利。

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