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Effective Color Coding of Menu Design for Movie Genres

机译:电影类型菜单设计的有效颜色编码

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As an investigation of top-down visual information coding [Palmer 1975], this research intends to study the affective association between certain colors and different media content (i.e., movie genres). This study also investigated the effect of color rendering styles in menu design; exploring which color coding style would be more aesthetically pleasing and easy to use through both objective and subjective evaluation. Color has been used as a visual cuing agent and the advantage of color highlighting in visual search tasks has been researched elsewhere [Philipsen 1993]. Even though the use of multiple color dimension-mapping has been explored with large sets of data, this technique is not easy to interpret and has difficultly making efficient use of color space [Ware 2000]. Earlier research showed that a mismatch between a label's colors and the color association of words in the label slowed the identification of color [Scheibe et al. 1967]. Compared to non-entertainment graphics (medical imaging and engineering graphics), entertainment graphics (video games and movies) are designed to deliver emotionally stimulating content to audiences. Since Edgar Dale categorized films into 10 different genres according to their major themes in 1930, the film genre categorization has been used in online shopping environments to guide consumers in locating movies on the screen. However, most online movie menus are graphically designed using monotone text and color. It is questionable whether monotone color rendering provides the most efficient means (or ease of use) for locating specific menu items as well as the most pleasing.
机译:作为对自上而下的视觉信息编码的研究[Palmer 1975],该研究旨在研究某些颜色与不同媒体内容(即电影流派)之间的情感联系。这项研究还研究了色彩渲染样式在菜单设计中的作用;通过客观和主观评估,探索哪种颜色编码风格在美学上更令人愉悦并且易于使用。颜色已被用作视觉提示剂,并且在其他地方也研究了颜色突出显示在视觉搜索任务中的优势[Philipsen 1993]。即使已使用大量数据探索了使用多个颜色维度映射,但该技术不易解释,并且难以有效利用颜色空间[Ware 2000]。早期的研究表明,标签颜色与标签中单词的颜色关联之间的不匹配会减慢颜色的识别[Scheibe等。 1967]。与非娱乐性图形(医学成像和工程图形)相比,娱乐性图形(视频游戏和电影)旨在为观众提供激动人心的内容。自1930年埃德加·戴尔(Edgar Dale)根据电影的主要主题将电影分为10种类型以来,电影类型的分类已用于在线购物环境中,以指导消费者在屏幕上查找电影。但是,大多数在线电影菜单都是使用单调文本和颜色进行图形设计的。单调显色是否提供用于定位特定菜单项的最有效方法(或易用性)以及最令人愉悦,这是一个问题。

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