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Treatment of existentialism nihilism in Endgame

机译:在残局中对待存在主义和虚无主义

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Endgame is an interesting play of Samuel Beckett which deserves a serious analysis in terms of nihilism and existentialism. The play is in search of the meaning of man's existence amid uncertainty in the world. This play is certainly different from other major plays of Samuel Beckett in which most of the characters are crippled and helpless like other characters of Beckett subject to suffering, frustration and absurdity in life. The play also delineates the sub-themes of existentialism like authenticity, death, bad-faith and nothingness with the help of these characters. Moreover, the play develops in the tradition of absurd play challenging the classical norms of unities and plot. The stage setting in Endgame seems strange reflecting the theme of existentialism and nihilism. Lastly, the play gives the concept of absurd and cyclical time which presents the uncertainty of man's existence in the world. Thus, the play is a typical one for existentialist study.
机译:《残局》是塞缪尔·贝克特(Samuel Beckett)的有趣作品,值得在虚无主义和存在主义方面进行认真的分析。这部戏是在世界不确定之中寻找人类存在的意义。这部剧当然与塞缪尔·贝克特的其他主要剧本不同,后者的大部分角色都像贝克特的其他角色一样残废无助,遭受生活中的痛苦,挫折和荒诞。在这些角色的帮助下,该剧还描绘了存在主义的子主题,如真实性,死亡,恶意和虚无。而且,戏剧是在荒诞戏剧的传统中发展起来的,它挑战了统一和情节的经典规范。 Endgame的舞台设置很奇怪,反映了存在主义和虚无主义的主题。最后,该剧给出了荒诞和周期性时间的概念,提出了人类在世界上生存的不确定性。因此,该剧是存在主义研究的典型代表。

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