Discussing How the Viewer, the Author, and the Work See and Be Seen in the Photography Works of 'Farewell to the Island'

摘要

Through the creation of the video editing work "Farewell to the Island", the use of photographic creation, the arrangement of images with a sense of painting, and the series of seemingly honest photos, make them a way of viewing memories. The photograph captures not reality, but gives a viewing angle and location, which is processed through subjective thinking to tell the memory of wandering between the real and the virtual. The memory should be inspired by dots, and the hands of the author will give viewers more imagination and viewing angles. I printed most of the photos, and I was alone with them in the space, letting the tide of memory take me to put them in the right place, and no longer limited to the rigorous screening of whether the graphics on the screen were rigorous, and found the freedom of painting through editing them. In the arrangement of the image exhibition, hundreds of photos are connected in one space through three arrangement methods: concrete image extension, element extension, and image extension. After several private choreography, the author and the work looked at each other before going to a public exhibition. The audience sees the work in the space, the audience sees the author through the work, and the author sees the audience through the work. The author's creative meaning becomes a physical work through coding, and the audience decodes the author's creative process through the work. The accuracy and gap between these transfers is an interesting study.