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The Pursuit of Democracy and Science in Monster Visual Art of China in the Early Twentieth Century

机译:在二十世纪初期追求怪物视觉艺术的民主和科学

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摘要

Monsters are bound up with Chinese traditional culture, and have been presented via various cultural forms, such as literature, drama, New Year print and costume. At the turn of the twentieth-century, visual traditions have been re-examined through the social and political transitions, whereas the traditional monster culture as a part of the legacy faced great challenges ahead. In order to understand monster imagery's inherent values and reinterpret its imagery in contemporary Chinese visual art, this research focuses on monster imagery in the social, political and transitional context of the early twentieth-century China.
机译:怪物被中国传统文化束缚,并通过各种文化形式提出,如文学,戏剧,新年印刷和服装。 在二十世纪之交,通过社会和政治转型重新检查视觉传统,而传统的怪物文化作为遗留的一部分面临巨大的挑战。 为了了解怪物图像的固有价值并重新诠释其在当代中国视觉艺术中的图像,这项研究侧重于二十世纪初的社会,政治和过渡背景下的怪物图像。

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