The Rhythm Pattern Adaptation of Langgam Jawa in Kroncong

摘要

Kroncong is a type of original Indonesian music that grows and develops well in Indonesia and has a place in the community. Lately, Kroncong is considered less attractive because of its limited rhythmic pattern. Adaptation to the rhythm pattern of other types of music is very necessary. The purpose of this study is to describe the adaptation of rhythm patterns that can be applied to Kroncong. The result shows that the rhythmic patterns of the cak and cuk instruments in Langgam Jawa contained five positions, namely the Do position, the Mi position, the Fa position, the Sol position, and the Si position. On the cak position, Do position consists of a description of the notes do, fa, sol, and si. Mi position consists of a description of the notes mi, si, sol, and, fa. Fa position consists of a description of the notes fa, do, si, sol. Sol position consists of a description of the notes sol, fa, do, and si. Si position consists of a description of the notes si, mi, fa, sol. Each description of the notes is in sixteenth notes. While on the cuk instrument, Do position consists of a description of the notes do and sol, Mi position consists of a description of the notes mi and si, Fa position consists of a description of the notes fa and do, Sol position consists of a description of the notes sol and si, Si position consists of the notes si and sol, each of the notes played is a quarter notes.