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Visual representation of graffiti in the media environment: between art and vandalism

机译:媒体环境中涂鸦的视觉表示:艺术与故意破坏

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Grasping of the environment, whether it be urban or virtual, by modern youth often happens thanks to not non-institutionalized practices. Creation of graffiti, in particular, is one of such practices. This practice has come out far beyond physical space and achieved the status of a comprehensive representation of youth cultural subjectivity in the media environment. The stability of this practice, despite its provocative and sometimes vandal nature, demonstrates that it deals with fundamental patterns of axiological and normative behavior model of youth. An essential factor which allows graffiti to serve as the "voice" of youth is technical availability and simplicity of images transfer in the virtual space, absence of any qualification requirement on their creation and a rather low level of social sanctions. Videocracy which is a sociocultural characteristic of the present transforms subject - object and subject - subject relations among young people and, if does not cancel, but expresses an urgent need to review classical ideas, for example, of art.
机译:抓住环境,无论是城市还是虚拟,通过现代青年经常发生,归功于不是非制度化的实践。特别是涂鸦的创建是这样的实践之一。这种做法远远超出了物理空间,并达到了媒体环境中青年文化主体性的全面代表的地位。尽管其挑衅性和有时破坏性的这种做法的稳定性表明它表明它涉及青年的神经学和规范行为模型的基本模式。允许涂鸦作为青年的“语音”的必要因素是虚拟空间中的图像传输的技术可用性和简单性,没有任何对其创造的资格要求以及相当低的社会制裁水平。作为当前社会文化特征的化学侵占性质,年轻人之间的对象 - 对象和主题关系,如果不取消,则表达迫切需要审查古典思想,例如艺术。

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