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Reducing the sound exposure level in an orchestra pit by a set of tailored measures

机译:通过一套量身定制的措施减少管弦乐队坑中的声音曝光率

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To reduce the risk of a noise-induced hearing loss in workplaces, the EU directive 2003/10/EC sets certain exposure action values and an exposure limit with respect to the daily or weekly sound exposure as well as the peak sound pressure. Hearing protection, which is one of the most efficient means to reduce the risk of hearing loss in the majority of work places, is generally considered inadequate as the sole solution for orchestra musicians. Technical and organizational measures should therefore precede or accompany individual hearing protection. Moreover, their pertinent execution requires deliberate solutions, which need to be in agreement with the conditions of performance practice and architecture. This contribution presents an attempt to reduce the sound exposure level in the orchestra pit of the Deutsche Oper Berlin by a set of constructional measures. The current conditions and the requirements of the musicians were assessed with acoustical measurements and with a questionnaire, respectively. A hybrid simulation method was subsequently employed to simulate and optimize the sound field. Optimization focussed on an improvement of audibility between musicians and the equalization of the areal pattern of room modes. While the former objective is well-know for improving the ensemble play, the latter reduces the exposure as well as the masking of the fundamental frequencies of singers and instruments. The paper finally presents a set of constructional measures, which are considered viable approaches for reducing the risk of noise-induced hearing loss in the orchestra pit.
机译:为了降低工作场所中噪声引起的听力损失的风险,EU指令2003/10 / EC在日常或每周声音曝光以及峰值声压中设置了一定的曝光动作值和曝光极限。听证保护,这是降低大多数工作场所听力损失风险的最有效手段之一,通常被认为是乐团音乐家的唯一解决方案。因此,技术和组织措施应在个人听力保护之前或陪同个人审查保护。此外,他们的相关执行需要刻意的解决方案,需要与绩效实践和架构的条件一致。这一贡献提出了一系列建筑措施,试图减少德意志矿石坑坑坑的声音曝光水平。目前的条件和音乐家的要求分别进行了声学测量和调查问卷。随后采用混合模拟方法来模拟和优化声场。优化侧重于改善音乐家之间的可听性和房间模式的区域模式的均衡。虽然前目标是众所周知的,但改善了合奏游戏,但后者会减少曝光以及歌手和仪器基本频率的掩蔽。本文终于呈现了一系列的结构措施,被认为是降低管弦乐队坑中噪声引起的听力损失风险的可行方法。

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