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Church Conveys a Church.Problem of the Language of Architecture and Religious Art in Europe Following the Second Vatican Council

机译:教堂在第二个梵蒂冈委员会之后传达了欧洲建筑和宗教艺术语言的教堂。

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Article 1214 of the Code of Canon Law states that the ultimate objective of erecting any ecclesiastical architectural structure is Religious Worship.The number of new churches that have been built so far throughout Poland and elsewhere in Europe proves that designers are lacking in terms of a background of theological awareness.It frequently occurs that new structure,what may be described as simply pure manifestations of their author's artistic egos.This contradicts what has been the crux of Religious Art for centuries.On this respect the education of architects,designers and all other participants of the development process in the”Theology of Religious Art”is essential.The starting point is to understand that Religious Art(architecture,interior design)is a”Sacred”Church Work(ekklesia)performed for the Church.Hence,the basic condition imposed upon an artist and/or participant of the development process in this respect is that they should be persons of”Faith”,essentially professing”Faith in the Church”for w7hich they work.Modernism brought about the situation in which Theology was continually”programmed”by nonbelievers and churches were being designed by atheists.People such as these are unable to fundamentally anchor their acts in or be inspired by the centuries-old Liturgical Tradition of the Church.
机译:佳能法则第1214条规定,建立任何教会建筑结构的最终目标是宗教崇拜。到目前为止在波兰和欧洲其他地方建造的新教堂数量证明了设计师缺乏背景神学意识。频繁发生,新的结构,可能被描述为其作者艺术EGOS的简单纯粹的表现。这矛盾是几个世纪宗教艺术的关键。这尊重建筑师,设计师和所有其他教育在“宗教艺术神学”的发展过程中的参与者是必不可少的。出发点是了解宗教艺术(架构,室内设计)是一个“神圣”的教会工作(Ekklesia)为教会执行。应该,基本在这方面施加对艺术家和/或参与者的条件,是他们应该是“信仰”的人,基本上是宣传的“娱乐在教堂里“为W7HICH他们的工作。通过无神社和教会设计了非信徒和教堂的神学不断地”编程“的情况。这样的人是由无神论者设计的。这些,如这些,这些人无法从根本上锚定他们的行为或受到启发的百年历史的教堂的礼仪传统。

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