Taoism has gone through more than three thousand years of history, its ideological accomplishments penetrate many aspects of Chinese aesthetics. Since Taoism Developed in Sichuan at the end of the eastern Han dynasty, it plays a great part in the modeling, production and artistic aesthetics of Sichuan Bonsai. The article analyzes and explores the ideology of Taoism through literature research and case analysis in the directive significance of Sichuan-Bonsai creation, which absorbing the natural landscape, creating space layout and expressing the artistic conception of "Sheng".
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