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Column Carving Art in Ancient Huizhou Architecture

机译:柱雕刻艺术在古惠州建筑

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Unlike column base wood, furniture, porcelain, people today can add color or decoration Home Furnishing at home and admire. Unlike wood, furniture, porcelain, people today can add color or decoration Home Furnishing at home and admire. Stone plinth in modern life for the villagers have no practical significance, individual heavy and easy handling and placement, not attention, abandoned on the side. Lying in the house, courtyard miscellaneous grass base, are still under the attack of wind and rain, the passage of time quietly in the column base solidification body, as if to tell us once brilliant. The ancient Huizhou area column base sculpture buildings of Ming and Qing Dynasty in the tens of thousands of folk craftsmen from generation to generation in the world to give poor keep going by painstaking effort; It is an extremely precious cultural heritage left by the brilliant creation of the ancient working people and the accumulation of hard work. Especially in the Ming and Qing Dynasties in Huizhou, the construction of the interior environment of the language of art language in different periods of architectural pursuit. The study and analysis of it will help to understand the social situation of Huizhou during the Ming and Qing Dynasties, which is conducive to the spirit of Chinese traditional art, and is conducive to the prosperity of the Chinese nation, and regional culture. It is helpful to realize the ideal of harmony between man and nature, man and man, and man himself; It is the excellent cultural tradition of China that all things are one.
机译:与柱底座木材,家具,瓷器不同,今天人们可以在家里添加颜色或装饰家居和佩服。与木材,家具,瓷器不同,今天人们可以在家中添加颜色或装饰家居和欣赏。在现代生活中为村民的石头普利特没有实际意义,个人沉重,易于处理和放置,而不是关注,抛弃在一边。躺在房子里,庭院杂项草地,仍然在风雨的袭击中,时间在柱上凝固机构静静地通过,好像要告诉我们曾经辉煌。古惠州地区柱基地雕塑大厦明清王朝成千上万的民间工匠从一代人代代发电,给予贫困措施较差;这是一个极其珍贵的文化遗产,留下了古代劳动人民的辉煌创造和努力的积累。特别是在惠州的明清,在建筑追求不同时期建设艺术语言的内部环境。对明清期间的研究和分析将有助于了解惠州的社会局势,这有利于中国传统艺术的精神,有利于中国国家的繁荣和区域文化。实现人与自然,男人和男人的和谐的理想是有帮助的,而男人本人;这是中国的优秀文化传统,一切都是一个。

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