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Study on the Protection of Han Opera Master Mi Yingxian's Opera Culture: On Its Historical Contribution to the Formation of Peking Opera

机译:汉歌山歌剧文化保护的保护研究:对北京歌剧形成形成的历史贡献

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摘要

Mi Yingxian, native of Hubei Chongyang, was the recognized founder of Peking opera. In the periods of Qianlong and Jiaqing, he brought his Hubei Han tune to Beijing. He became the leader role of Chuntai Troupe, one of the four Hui troupes. Later, the Han tune converged with Hui tune, which marked the formation of Peking opera. Mi Yingxian was one of the key figures in the confluence of the Han tune and Hui tune. For two hundred years he was recognized as the ancestor of elderly male characters in Peking opera circle and has enjoyed a high reputation in the history of Chinese opera. But unfortunately, such an important artistic master with national influence hasn't been paid enough attention in Xianning City and Chongyang County. This paper has evaluated Mi Yingxian's outstanding position in the history of Chinese opera, analyzed the current situation and problems in the development and protection of his opera culture, and put forward corresponding countermeasures and approaches.
机译:湖北崇阳本国MI盈县是公认的北京歌剧创始人。在干隆和嘉庆的时期,他把湖北汉镇带到了北京。他成为Chuntai Troupe的领导者,这是四个Hui Troupes之一。后来,汉曲随着惠曲而融合,标志着北京歌剧的形成。 Mi Yingxian是汉曲和汇曲交汇处的关键人物之一。两百年,他被认为是北京歌剧圈中老年男性角色的祖先,在中国歌剧历史上享有很高的声誉。但遗憾的是,这种具有国家影响力的这么重要的艺术硕士尚未在咸宁市和崇阳县重视。本文在中国歌剧历史上评估了MI盈贤的突出地位,分析了目前的发展和保护他的歌剧文化的情况,并提出了相应的对策和方法。

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