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Human-Centered 'Identity Performativity'--Take Mona in the Promised Land as an Example

机译:以人为本的“身份表演性” - 以应许之地的蒙娜为例

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Immigrants living in different cultures will have to face the situation of re-positioning and re-understanding themselves. With the development of globalization, cultural identity is no longer single and unchanged, but gradually become more autonomous and compatible. Through close reading Mona in the Promised Land by Gish Jen, an American-Chinese writer, and on the basis of Judith Butler's theory of performativity, this paper analyzes the identity performativity carried out by the second generation of Chinese immigrants when seeking for their identity, and emphasizes the autonomy and hybridity of cultural identity.
机译:生活在不同文化中的移民将不得不面对重新定位和重新理解自己的情况。随着全球化的发展,文化身份不再单身而且不变,但逐渐变得更加自主和兼容。通过Gish Jen,一名美国中文作家,并在朱迪思管家的表现理论的基础上,通过近视的土地阅读Mona,本文分析了第二代中国移民在寻求身份时进行的身份表现,并强调文化身份的自主性和杂交。

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