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On the Development of Literary Criticism in America after World War I

机译:世界战后美国文学批评的发展

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In the United States such critics as John Crowe Ransom, Allen Tate, Robert Penn Warren, and Cleanth Brooks agreed with Eliot that literary criticism should be a largely autonomous endeavor, distinct from biography, psychology, philosophy, and other disciplines. Brooks described this critical approach as "formalist" because it was centered on a close reading and an analysis of the elements - metaphor, imagery, symbolism, and so forth - of a poem or other piece of literature and not on its cultural context. The emphasis of this approach was well tailored to the complexity of Modernist literature, particularly poetry, which seemed to require literary critics to explain the work to the reader.
机译:在美国这样的批评者作为约翰·克国赎金,艾伦泰特,罗伯特宾夕法尼亚武仁和清洁布鲁克斯同意艾略特认为,文学批评应该是一个很大程度上的自主努力,不同于传记,心理学,哲学和其他学科。 布鲁克斯将这种批判性方法描述为“形式主义”,因为它以密切的阅读,分析了元素 - 隐喻,图像,象征,等等 - 诗歌或其他文学作品,而不是在其文化背景上。 这种方法的重点是对现代主义文学,特别是诗歌的复杂性进行了良好量身定制,似乎需要文学批评者向读者解释工作。

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