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Edward Burne-Jones' Heavenly Conception: A Biblical Cosmos

机译:爱德华伯恩琼斯的天堂概念:一个圣经的宇宙

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Edward Burne-Jones was a Pre-Raphaelite artist and designer, who collaborated with William Morris on many decorative arts (stained glass windows, book illustrations, ceramic and tapestry designs). He was a founding partner in the firm Morris, Marshall, Faulkner & Company. Burne-Jones composed The Days of Creation between 1870 and 1876 for the Morris firm. These paintings were executed in gouache and gold paint, and cartoons were made for tile and in stained glass, for the Church of St. Editha at Tamworth in Staffordshire. Burne-Jones' creation was highly praised and elegantly described by Oscar Wilde: "The picture is divided into six compartments, each representing a day in the Creation of the World, under the symbol of an angel holding a crystal globe, within which is shown the work of a day." This paper will examine how Burne-Jones visualized an unusual celestial creation where angels holding magical spheres unveil the divine manifestation for the creation of a terrestrial realm. He created a cosmic utopia of the natural world.
机译:Edward Burne-Jones是一位Raphaelite艺术家和设计师,他与许多装饰艺术(彩色玻璃窗,书籍插图,陶瓷和挂毯设计)合作。他是公司莫里斯,马歇尔,福克纳公司的创始合作伙伴。 Burne-Jones组成了莫里斯公司1870年至1876年的创作日。这些绘画在树胶披小粉和金色涂料中执行,而漫画是为瓷砖和彩色玻璃制成的,为斯塔福德郡塔姆沃思的圣埃迪特教堂。 Burne-Jones的创作受到奥斯卡王尔德的高度赞扬和典雅的描述:“图片被分为六个隔间,每个隔间都代表了一个在世界上创造的一天,在持有水晶球的天使的象征下,其中显示一天的工作。“本文将研究伯恩·琼斯如何可视化一个不寻常的天体创作,其中持有神奇球体的天使揭开了为建立陆地领域的神圣表现。他创造了一个自然世界的宇宙乌托邦。

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