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Festival Utilizing Landscape Characteristics of Immigrants' Homeland and Inheritance of Local Culture

机译:利用移民祖国景观特征的节日和当地文化的遗产

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The purpose of this study was to research festivals which were originated by people who moved from the Suwa area to Ichinomiya in Chiba prefecture, in memory of their homeland, and which incorporated parts of the landscape of the their homeland into the festivals.The Suwa Shrine in Ichinomiya was founded as a branch shrine of the Suwa Shrine in the Shinshu area in 1581.People who moved to the Arachi area in Ichinomiya created scenery resembling that of Lake Suwa, in their homeland, at a location where there is a paper mulberry tree, which is the symbol of the Kijima family.Paper crafts from the Suwa Shrine are very rare throughout Japan.This art is relived in a festival every July, and in 1981 this has been recognized as a cultural asset of Ichinomiya.Specifically, the local people create a lake with the appearance of Lake Suwa, and streets and buildings from the hometown of their ancestors.Other than the pillars of buildings, everything is assembled with Japanese traditional paper and rice glue.These paper creations are closely related to ancient local myths and beliefs.In the present study, we firstly investigated and consulted literature and photos on local myths, beliefs, rituals, and occupations.Secondly, we investigated cultural inheritance in the Ichinomiya area as it is now.Based on our investigations of ancient literature and local interviews, we have found the following:① During the period from the beginning of February to March, around 35 believers, namely half of the 70 households, gather to begin digging a pond resembling Lake Suwa.② Before the war, there were many worshippers from the bustling Shirasato area.After people started talking about visiting the Suwa god in Arachi, the festival made the village where the people from Suwa lived become famous, and local people became proud of their area.③ Until the 1950s, theatre groups from Tokyo were invited to perform there, and the festival became large in size.This was recreated once in 1980, but at present only shrine rituals are performed, with few decorations.
机译:这项研究的目的是向其中发起的谁从诹访区千叶县搬到一宫,在自己的家园的记忆人研究的节日,和其家园的景观进入festivals.The诹访神社的配套件在一宫始建作为诹访神社在1581.People信州区谁搬到花生四区一宫中的一个分支,神社创建景色一如当年诹访湖的,在自己的家园,在那里有一个纸桑树的位置,这是从诹访神社的木岛family.Paper工艺品的符号是非常罕见的整个Japan.This艺术是在每年七月节日重温,而在1981年,这一已被确认为Ichinomiya.Specifically的文化遗产,当地人们创建诹访湖的外观的湖泊,和街道和建筑物从他们ancestors.Other比建筑物的支柱的故乡,一切都装配了日本传统的纸和大米glue.These纸创作密切相关的古代神话本地和beliefs.In本研究中,我们首先研究和咨询文献和照片,对当地的神话,信仰,仪式和occupations.Secondly,我们在一宫地区考察文化传承因为它是在我们的古代文献和当地采访调查now.Based,我们发现了以下情况:①在从二月开始到三月期间,35左右的信徒,即一半的70户,收集开始挖类似塘湖Suwa.②战前,共有来自繁华的Shirasato area.After人们开始谈论前往诹访神花生四众多崇拜者,电影节做出的村庄,从诹访群众的生活变得有名,和当地人民成为他们area.③直到20世纪50年代的骄傲,从东京剧团应邀到那里演出,祭祀变大的size.This被再创造一次在1980年,但在presen T单独参拜仪式进行,很少装饰品。

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