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Research on industrial exhibitions architecture

机译:工业展览建筑研究

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All-Russian and regional exhibition architecture in the second half of the 19th century through the early 20th century had varied distinct differences in style and design. Temporality of exhibition architecture in those days contributed to a variety of experiments made for pavilions in the context of styles and structures. There was a high demand for the Russian style to be applied for pavilions both in Russia and abroad. First search and application experience in respect to the modern art principles are connected with exhibition architecture. These experiments in the national architecture and art are of a high interest. Neo-classicism was applied in exhibition architecture in the early 20th century to a large extent. The exhibitions of the early 20th century appeared to be special 'style workshops'. Organizers of certain exhibitions tried to keep uniformity of style of basic constructions. The major merit of exhibition architecture is that it contributed to the transition from eclecticism to a new style on the cusp of the 19th and beginning of the 20th centuries.
机译:19世纪下半叶通过20世纪初期的全俄和地区展览建筑在风格和设计方面具有不同的差异。展览建筑的时间性在那些日子中有助于在风格和结构的背景下为展馆做出的各种实验。对俄罗斯风格的需求很高,尤其是俄罗斯和国外的展馆。关于现代艺术原则的首先搜索和应用体验与展览建筑有关。国家建筑和艺术中的这些实验具有很高的兴趣。新古典主义在20世纪初在很大程度上应用于展览建筑。 20世纪初的展览似乎是特殊的“风格研讨会”。某些展览的组织者试图保持基本结构风格的均匀性。展览建筑的主要优点是,它导致从折衷主义到19世纪的尖峰和20世纪开始的新风格的过渡。

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