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Comparing numerical error and visual quality in reconstructions from compressed digital holograms

机译:压缩数字全息图中重建中的数值误差和视觉质量

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Digital holography is a well-known technique for both sensing and displaying real-world three-dimensional objects. Compression of digital holograms has been studied extensively, and the errors introduced by lossy compression are routinely evaluated in a reconstruction domain. Mean-square error predominates in the evaluation of reconstruction quality. However, it is not known how well this metric corresponds to what a viewer would regard as perceived error, nor how consistently it functions across different holograms and different viewers. In this study, we evaluate how each of seventeen viewers compared the visual 'quality of compressed and uncompressed holograms' reconstructions. Holograms from five different three-dimensional objects were used in the study, captured using a phase-shift digital holography setup. We applied two different lossy compression techniques to the complex-valued hologram pixels: uniform quantization, and removal and quantization of the Fourier coefficients, and used seven different compression levels with each.
机译:数字全息术是一种众所周知的传感和显示现实世界三维物体的技术。已经广泛研究了数字全息图的压缩,并且在重建域中经常评估有损压缩引入的误差。平均方误差在重建质量评估中占主导地位。但是,尚不清楚该度量对观众将视者视为感知错误的内容,也不是如何跨不同全息图和不同观众的函数。在这项研究中,我们评估了十七位观众中的每一个与压缩和未压缩全息图的视觉质量进行比较。研究中使用了来自五种不同的三维物体的全息图,使用相移数字全息设置捕获。我们将两种不同的有损压缩技术应用于复值全息图像素:均匀量化,傅立叶系数的移除和量化,以及每个不同的压缩水平。

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