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My kulturBOT 1.0

机译:我们是CulturalBot 1.0

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摘要

My kulturBOT 1.0 is a robotic art critic that attends exhibitions and produces tweets and captioned images for social media. kulturBOT indiscriminately takes pictures of the artworks, as well as the venue and the exhibition visitors. It integrates randomness in its movements and its language usage. We use the robot to stress the cognitive agency of artifacts and the inherent vagueness of what Bourdieu described as the 'demarcation line between the world of technical objects and the world of aesthetic objects'. Bourdieu critically reflects on whether this demarcation depends on the intention of the producer of those objects. Rather, he claims, these so-called intentions are themselves a 'product of the social norms and conventions which combine to define the always uncertain and historically changing frontier between simple technical objects and objects d'art' (Bourdieu 1984).
机译:我的Kulturbot 1.0是一个机器人艺术评论家,参加展览,并为社交媒体生产推文和标题图像。 Kulturbot不分青红皂白地拍摄着艺术品,以及场地和展览游客。它将随机性与其语言使用情况集成在一起。我们使用机器人强调神器的认知机构以及Bourdieu被描述为“技术对象世界与审美物体世界之间的分界线”的固有模糊。 Bourdieu严重反映了这一划分是否取决于这些物体的生产者的意图。相反,他声称,这些所谓的意图本身是一个“社会规范和公约的产品,即在简单的技术对象和对象D'艺术之间定义了始终不确定和历史上更换的前沿(Bourdieu 1984)。

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