Multiplex holograms from Eadweard Muybridge's studies of the human figure in motion

摘要

Examination of Eadweard Muybridge's photographic sequences of human and animal locomotion reveal them to have latent stereoscopic and temporal parallax. In effect, Muybridge shot the first photographic images suitable for making into multiplex holograms. Analysis of Muybridge's photographic setup shows the inherent stereoscopic parallax, and an examination of a succession of frames used to produce a multiplex hologram illustrates different ways in which temporal and stereoscopic parallax can be perceptually combined.