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Automatic Background Adjustment for Chinese Paintings Using Pigment Lines

机译:使用颜料线的中国绘画自动背景调整

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Most traditional Chinese paintings are painted on hand-made paper that easily suffers from severe spectral changes caused by prolonged light exposure, resulting in color distortion and low contrast. To recover the original appearance of a Chinese painting, especially its background color, an automatic background adjustment framework is proposed. This framework is based on the insightful observation that the fading model of a painting image is analogue to the common hazy image formation model when the painting image is transformed into the K-M (Kubelka-Munk) space. We demonstrate that this fading model is quite useful in extracting pigment lines from any painting image. These pigment lines represent clusters of distinct color pigments used in a Chinese painting, which is the key to density map estimation and background restoration. Experimental results prove that our approach is able to restore a variety of deteriorated Chinese paintings without any user intervention or training.
机译:大多数传统的中国绘画都涂在手工制作的纸上,这易于受到延长的曝光引起的严重光谱变化,导致颜色变形和低对比度。为了恢复中国绘画的原始外观,特别是其背景颜色,提出了自动背景调整框架。该框架基于有洞察力的观察,即当绘画图像被转换为​​K-M(Kubelka-Munk)空间时,绘画图像的衰落模型是模拟的普通朦胧图像形成模型。我们证明,该衰落模型对于从任何绘画图像中提取颜料线的褪色模型非常有用。这些颜料线代表了中国绘画中使用的不同颜色颜料的簇,这是密度图估计和背景恢复的关键。实验结果证明,我们的方法能够在没有任何用户干预或培训的情况下恢复各种恶化的中国绘画。

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