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Automatic Background Adjustment for Chinese Paintings Using Pigment Lines

机译:使用颜料线自动调整中国画的背景

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Most traditional Chinese paintings are painted on handmade paper that easily suffers from severe spectral changes caused by prolonged light exposure, resulting in color distortion and low contrast. To recover the original appearance of a Chinese painting, especially its background color, an automatic background adjustment framework is proposed. This framework is based on the insightful observation that the fading model of a painting image is analogue to the common hazy image formation model when the painting image is transformed into the K-M (Kubelka-Munk) space. We demonstrate that this fading model is quite useful in extracting pigment lines from any painting image. These pigment lines represent clusters of distinct color pigments used in a Chinese painting, which is the key to density map estimation and background restoration. Experimental results prove that our approach is able to restore a variety of deteriorated Chinese paintings without any user intervention or training.
机译:大多数传统中国画都是在手工纸上绘制的,这些纸很容易因长时间曝光而导致严重的光谱变化,从而导致色彩失真和对比度降低。为了恢复中国画的原始外观,特别是其背景色,提出了一种自动背景调整框架。该框架基于有洞察力的观察,即当将绘画图像转换为K-M(Kubelka-Munk)空间时,绘画图像的衰落模型类似于常见的朦胧图像形成模型。我们证明了这种淡入淡出模型对于从任何绘画图像中提取颜料线条非常有用。这些颜料线代表了中国画中使用的不同颜色颜料的簇,这是密度图估计和背景恢复的关键。实验结果证明,我们的方法能够在无需用户干预或培训的情况下恢复各种退化的中国画。

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