首页> 外文会议>International Astronautical Congress >THE EQUANT NODE OF OBLIVION: THE EIGHTH MAJOR ASPECT OF THE QUIET AXIS, A NEARLY 40-YEAR COSMIC ARTISTIC/POETIC CREATION
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THE EQUANT NODE OF OBLIVION: THE EIGHTH MAJOR ASPECT OF THE QUIET AXIS, A NEARLY 40-YEAR COSMIC ARTISTIC/POETIC CREATION

机译:遗忘的校准节点:安静轴的第八个主要方面,近40年的宇宙艺术/诗意创作

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This artwork assumes that consciousness is inextricable from cosmos. Further, it assumes a conjugation of mind with external cosmos in a phase-conjugate reflectivity and intensification: what we seek in its highest poetic form is resonantly and reflectively comprehended within this non-dualistic cosmic totality. In sending this radio-wave hologram into deep space/time, it is my artistic/poetic assumption that the higher the consciousness that may receive and understand it the more the metaphoric, poetic indications, complexities and implications may be understood - far beyond our own time and being -- hence the structural/poetic complexity of the beam and beaconing. Reflexively, this beaconing is not just meant to call upon Andromeda and the void between but equally and profoundly call upon ourselves as well as the Absolute reality in which we with Andromeda are embedded.
机译:这件艺术品假设意识从宇宙中浑浊。此外,它假设在相位缀合的反射率和强化中与外部宇宙的思想结合:我们以最高诗歌形式寻求的是在这种非二元宇宙集中的肯定和反思。在将此电动波全息图发送到深度空间/时间,是我的艺术/诗意的假设,即可能接受和理解的意识越高,可能会更加隐喻,诗意指示,复杂性和含义 - 远远超出了我们自己的时间和作为 - 因此,梁和信标的结构/诗意复杂性。反动性地,这种信标不仅仅是为了呼吁andromeda和之间的空虚,而且平等而深刻地呼吁我们自己以及我们与andromeda的绝对现实嵌入。

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