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ON ARTWORKS AND SPACE TRAVELLERS

机译:关于艺术品和太空旅行者

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This paper describes the implementation of works of art into future space habitats and the possible benefits for the astronaut. Hereby, it questions the potentials of artworks to help long-term astronauts to cope with physical, psychological and socio-psychological constraints they are likely to experience and are discussed in the extensive literature about humans in extreme environments. Within this frame, the paper outlines intersections of artistic and scientific interrogations appropriate for concerted research. The five topics covered are characterised as Limitlessness, Placelessness, Sensorialness, Homelikeliness, and Closenessness. The ‘Artwork of Limitlessness' presents a supportive aid for human cognition under conditions of weightlessness and multidirectionality. The newly designed forms in this artistic prototype aspire to release the individual from his or her internalised search for bodily orientation. The ‘Artwork of Placelessness' compensates for the enormous interplanetary distance through comparisons between the ‘here' and ‘there'. These are triggered by depictions of earthly places, which are meaningful to the cosmic recipient and provide a virtual closeness. The ‘Artwork of Sensorialness' transfers elements of Earth's natural environment into the space habitat, thus stimulating the space traveller's senses. The ‘Artwork of Homelikeliness' structures daily life onboard and distracts crew and spacefarers from their confined and monotonous living situation. This artwork offers social activities that enable normality despite isolation and outdoor danger. The ‘Artwork of Closenessness' stimulates self-entertainment. Effective artworks will give the individual privacy and contact with the self. The result of the paper shows that on the foundation of the identified categories artworks can become effective aesthetical tools. These novel works of art can provide astronauts with relaxation and significant occupation. They follow human needs and can counteract spatial disorientation, sensorial and/or social under-stimulation, as well as the Earth-out-of-view phenomenon. In additional to these benefits, artistic applications will provide the cosmic recipient with objects of reflection that reconnect the astronaut with Earth and its unique phenomena; qualities that are interpreted as beneficial while being off the planet.
机译:本文介绍了艺术作品进入未来的空间栖息地以及宇航员可能的益处。因此,它有题为艺术品帮助长期宇航员应对他们可能会经历的身体,心理和社会心理限制的潜力,并在极端环境中的大量文献中讨论了对人类的广泛文学。在这一框架内,本文概述了适合协同研究的艺术和科学审讯的交叉路口。覆盖的五个主题的特征是无限,无姿势,情感,兴趣和密闭性。在失重和多向的条件下,“无限制的艺术品”为人类认知提供了支持援助。这种艺术原型中的新设计形式渴望从他或她的内化搜索身体方向释放个人。 “无姿势的艺术品”通过“这里”和“那里”之间的比较来补偿巨大的班次距离。这些是由地球场所的描绘触发,这对宇宙收件人有意义,并提供虚拟近距离。 “情人性的艺术”将地球自然环境的元素转移到空间栖息地,从而刺激了太空旅行者的感官。 “家庭主义情绪”的艺术品结构日常生活船上,分散了他们狭窄和单调的生活状况的机组人员和太空集演者。此艺术品提供社交活动,尽管有孤立和户外危险,但尽管有稳定,但仍能实现正常性。 “亲密度的艺术品”刺激了自我娱乐。有效的艺术品将提供个人隐私和与自我接触。本文的结果表明,在所确定的类别的基础上,艺术品可以成为有效的美学工具。这些小说艺术品可以提供宇航员,以放松和大量占领。它们遵循人类需求,可以抵消空间迷失化,传感器和/或社会潜在潜力,以及地球外的现象。在额外的益处,艺术应用程序将提供宇宙接收者与反射对象,将宇航员与地球和其独特的现象进行重新连接到宇航员;在离开地球的同时被解释为有益的品质。

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