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ON ARTWORKS AND SPACE TRAVELLERS

机译:关于艺术品和太空旅行者

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This paper describes the implementation of works of art into future space habitats and the possible benefits forthe astronaut. Hereby, it questions the potentials of artworks to help long-term astronauts to cope with physical,psychological and socio-psychological constraints they are likely to experience and are discussed in the extensiveliterature about humans in extreme environments. Within this frame, the paper outlines intersections of artistic andscientific interrogations appropriate for concerted research.The five topics covered are characterised as Limitlessness, Placelessness, Sensorialness, Homelikeliness, andClosenessness. The ‘Artwork of Limitlessness' presents a supportive aid for human cognition under conditions ofweightlessness and multidirectionality. The newly designed forms in this artistic prototype aspire to release theindividual from his or her internalised search for bodily orientation. The ‘Artwork of Placelessness' compensates forthe enormous interplanetary distance through comparisons between the ‘here' and ‘there'. These are triggered bydepictions of earthly places, which are meaningful to the cosmic recipient and provide a virtual closeness. The‘Artwork of Sensorialness' transfers elements of Earth's natural environment into the space habitat, thus stimulatingthe space traveller's senses. The ‘Artwork of Homelikeliness' structures daily life onboard and distracts crew andspacefarers from their confined and monotonous living situation. This artwork offers social activities that enablenormality despite isolation and outdoor danger. The ‘Artwork of Closenessness' stimulates self-entertainment.Effective artworks will give the individual privacy and contact with the self.The result of the paper shows that on the foundation of the identified categories artworks can become effectiveaesthetical tools. These novel works of art can provide astronauts with relaxation and significant occupation. Theyfollow human needs and can counteract spatial disorientation, sensorial and/or social under-stimulation, as well asthe Earth-out-of-view phenomenon. In additional to these benefits, artistic applications will provide the cosmicrecipient with objects of reflection that reconnect the astronaut with Earth and its unique phenomena; qualities thatare interpreted as beneficial while being off the planet.
机译:本文介绍了艺术品在未来太空栖息地中的实施以及可能带来的好处 宇航员。因此,它质疑艺术品的潜力,以帮助长期宇航员应对物理, 他们可能会遇到的心理和社会心理限制,并在广泛的讨论中进行了讨论。 关于人类在极端环境中的文献。在此框架内,论文概述了艺术和艺术的交汇处 适合进行协同研究的科学讯问。 涵盖的五个主题的特征是:无限性,无位置性,感官性,居家感和 亲密性。 “无限艺术作品”在以下条件下为人类认知提供了辅助性帮助 失重和多方向性。这个艺术原型的新设计形式渴望释放 从他或她内在地寻求身体定向的人。 “无处可放的艺术品”弥补了 通过“这里”和“那里”之间的比较获得巨大的行星际距离。这些是由触发的 对宇宙接收者有意义并提供虚拟亲密感的尘世空间描述。这 “感官艺术品”将地球自然环境的元素转移到太空栖息地,从而刺激 太空旅行者的感官。 “居家般的艺术品”在船上构成了日常生活,分散了船员和船员的注意力。 航天员的局限性和单调的生活状况。这件艺术品提供了社交活动,使 尽管有隔离和户外危险,但仍能保持正常“亲密感艺术品”可以激发自我娱乐性。 有效的艺术品将赋予个人隐私并与自我联系。 论文的结果表明,在确定的类别的基础上,艺术品可以变得有效。 美学工具。这些新颖的艺术品可以为宇航员提供放松和大量职业的机会。他们 遵循人类的需求,可以抵消空间迷失感,感觉和/或社会刺激不足以及 视野外现象。除了这些好处,艺术应用还将提供宇宙 具有反射物体的接收者,该反射物体使宇航员与地球及其独特现象重新联系起来;具备的素质 被解释为对地球有益。

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