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Radio, concerts and the future of music distribution

机译:电台,音乐会和音乐分发的未来

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Internet has undoubtedly changed the prerequisites for global music distribution once for all. After years of skepticism, clinging to old business models and pirate hunt on P2P networks, the record industry has reluctantly begun to embrace the new channel for marketing and distribution of cultural content. But what do we know about music consumption on P2P networks? Does it coincide with the variety of cultural content in traditional media channels? This work describes the differences in cultural content on P2P networks, concerts and traditional broadcasted media based on comprehensive data on theoretic rage of choice, air play and requested music at P2P services. The study also describes some of the changes in business models that have already taken place. The study concludes among all that legal download services might reduce the present dominance of the big five major record companies in the long run.
机译:互联网无疑将全球音乐分销的先决条件改为所有。经过多年的怀疑,坚持旧商务模式和海盗狩猎在P2P网络上,创纪录行业不情愿地开始接受新渠道营销和分销文化内容。但是我们如何了解P2P网络上的音乐消耗?它是否与传统媒体渠道中的各种文化内容重合?这项工作描述了基于P2P服务中的理论爆发的全面数据,在P2P服务中的综合数据的文化内容对P2P网络,音乐会和传统广播媒体的差异。该研究还描述了已经发生的商业模式的一些变化。该研究总结了所有法律下载服务,可能会在长期运行中减少大型五大纪录公司的目前主导地位。

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