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The concept of white light in stage lighting

机译:白光的概念在舞台照明

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In perceiving objects, generally we see them in a white light situation. But, actually, there is not an absolute white, in such a manner that the different light sources have a determined kind of white, what it is known as colour temperature. Even the white light may be of different kinds (different colour temperature), the individual mind tends to perceive it as the same kind of white, that is to say, there is in our mind a psychological function by which we operate an integration in the perception in order to do the object perceptually invariable. On the other hand, it is a common practice in stage lighting to use colour light sources. It is a well known phenomenon that a colour of light produces a change in the object colour perception. However, when we go to theatre, we seen the objects as having their real colour, even if the lighting is not white. In this paper the concept of white light in stage lighting is presented, showing its possibilities of aesthetical expression.
机译:在感知物体中,一般来说我们在白光情况下看到它们。但是,实际上,没有绝对的白色,以这样的方式,不同的光源具有确定的白色,所谓的色温。即使是白光可能是不同的种类(不同的色温),个体的心灵往往会认为它是同一种白色的,也就是说,我们在我们思考的心理功能,我们在这方面运作了一体化感知对象感知上不稳定。另一方面,它是舞台照明中的常见做法,以使用颜色光源。它是一种众所周知的现象,即光的颜色产生对象颜色感知的变化。然而,当我们去剧院时,我们看到物体具有真正的颜色,即使照明不是白色的。在本文中,提出了舞台照明中白光的概念,显示了其审美表达的可能性。

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