首页> 外文会议>ASIS annual meeting >Image retrieval Theoretical analysis and empirical user studies on accessing information in images
【24h】

Image retrieval Theoretical analysis and empirical user studies on accessing information in images

机译:图像检索理论分析与应用信息中信息的理论用户研究

获取原文

摘要

The paper touches upon indexing and retrieval for effective searches of digitized images. Different conceptions of what subject indexing means are described as a basis for defining an operational subject indexing strategy for images. The methodology is based on the art historian Erwin Panofsky, and his work on renaissance paintings. On the basic of works of art he develops a theory about ways in which one analyses representational images. Panofsky describes three levels of meaning in a work of art which indicate a difference in presupposed knowledge i.e. nothing (or only practical experience), special knowledge about image codes, and special knowledge about history of ideas. The semiologist Roland Barthes has established a semiology for pictorial expressions based on advertising photos. Barthes uses the concepts denotation/connotation where denotations can be explained as the sober expression of signs and connotation as meanings relating to feelings or associations. A joint methodology is suggested between the two researchers and the methodology is implemented in analyzing press photos. Fields of application discussed include the messages in an image and the linking between information running from text, image to object. An empirical study, based on 17 newspaper archives, demonstrates user group requirements including archivists (creators), journalists (immediate users), and newspaper readers (end-users). A word association test is completed and the terms are used to build a user interface. The empirical analysis demonstrates how the results can be applied as the foundation for a semantic model.
机译:纸张触及索引和检索,以便有效地搜索数字化图像。主题索引装置的不同概念被描述为定义用于图像的操作主题索引策略的基础。该方法基于艺术史史·埃尔文·潘诺斯基,以及他对文艺复兴时期绘画的作品。在艺术品的基础上,他开发了一个关于分析代表性图像的方式的理论。 Panofsky在艺术品工作中描述了三个含义,表明了预设知识的差异,即没有(或只有实际经验),关于图像代码的特殊知识,以及关于思想历史的特殊知识。初学者罗兰巴特斯基于广告照片建立了图案表达的神学。 Barthes使用概念表示/内涵,其中表示可以解释为与感受或协会有关的含义和内涵的清醒表达。两位研究人员之间建议了联合方法,并在分析新闻照片中实施了方法。讨论的应用领域包括图像中的消息以及从文本运行的信息之间的链接,图像到对象。基于17个报纸档案的实证研究表明了用户组要求,包括档案论者(创作者),记者(即时用户)和报纸读者(最终用户)。完成单词关联测试,术语用于构建用户界面。实证分析演示了如何将结果应用于语义模型的基础。

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号