首页> 外文会议>International Congress on Sound and Vibration >SUBJECTIVE EVALUATION OF DIFFERENCES IN CONCERT HALL SHAPE USING A MULTISOURCE ORCHESTRA ANECHOIC RECORDINGS AURALIZED IN 3D COMPUTER MODELS
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SUBJECTIVE EVALUATION OF DIFFERENCES IN CONCERT HALL SHAPE USING A MULTISOURCE ORCHESTRA ANECHOIC RECORDINGS AURALIZED IN 3D COMPUTER MODELS

机译:音乐厅形状差异的主观评估,使用3D计算机模型中的多源管弦乐乐核记录

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By means of auralizations created by the ODEON software, the present study aims towards testing whether such auralizations are capable of revealing systematic subjective differences between two topologies of concert halls shapes (shoebox and arena). Anechoic multisource orchestra recordings were used as signal input in the auralization of Brahms music in 6 concert hall models and 27 subjects with and without musical background evaluated the halls with respect to general preference in paired comparisons tests. The paper discusses the results regarding the subjects' detection of differences in room shape.
机译:通过由Odeon软件创建的AuralIzations,目前的研究旨在测试这种观察结果是否能够揭示音乐厅形状(Shoebox和Arena)的两个拓扑之间的系统主观差异。 AneChoic Multisource Orchestra记录被用作6音乐厅音乐的Auralization的信号输入,在6场比赛厅模型中,27个具有和没有音乐背景的主题,在配对比较测试中,对大厅进行了一般偏好。本文讨论了关于受试者检测室形状差异的结果。

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