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Pop and Rock music audio production for 22.2 Multichannel Sound: A Case Study

机译:22.2多声道声音的流行和摇滚音乐音频制作:一个案例研究

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Advanced sound capture and mixing techniques, optimized for high channel-count three-dimensional audio reproduction systems, are discussed for pop/rock music production. Based on previous research and experimental recordings, newly developed complex close-microphone arrays are designed to deliver realistic sonic images of musical instruments in terms of physical size and timbre. Combined with multiple ambience microphones, these direct sound arrays can be used to create highly realistic or hyper-realistic sound scenes for 22.2 Multichannel Sound (9+10+3) reproduction, or other 3D audio formats. A specific case study highlights the aesthetic and technical considerations for production of pop/rock music for advanced audio formats such as 22.2 Multichannel Sound.
机译:对于高通道计数三维音频再现系统,讨论了高级声音捕获和混合技术,用于Pop / Rock Music Presence。基于以前的研究和实验录音,新开发的复杂近距离阵列旨在根据物理尺寸和音色来提供乐器的现实声音图像。结合多个环境麦克风,这些直接声音阵列可用于在22.2多通道声音(9 + 10 + 3)再现或其他3D音频格式的高度逼真或超现实的声音场景中。一个特定的案例研究突出了用于生产Pop / Rock音乐的审美和技术因素,以获得高级音频格式,例如22.2多通道声音。

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