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Light source criteria for digitizing color films

机译:彩色胶片数字化的光源标准

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The poor stability of film dyes and the decline of film photography require the development of digitization techniques designed to acquire the full amount of color information carried by photographic film. The spectral characteristics of the light source used during the image acquisition extremely influence the quality of the final digital reproduction of color films; this paper thoroughly discusses the criteria to be adopted to properly choose the light source. A method is described to infer the analytical densities of a color film from a set of measurements of the integral density; this provides the necessary spectroscopic information for the choice of the light source. The experimental part reports the analysis of two photographic samples from archival material: a Technicolor and an Agfacolor from the 1940s. The experiments highlighted the peculiar spectroscopic characteristics of the analyzed samples. The attention was drawn on the historical aesthetics of color film and the ethical issues related to its preservation.
机译:胶片染料稳定性差和胶片照相能力下降,要求开发数字化技术,以获取照相胶片所携带的全部色彩信息。图像采集过程中使用的光源的光谱特性极大地影响了彩色胶片最终数字复制的质量。本文彻底讨论了正确选择光源所采用的标准。描述了一种方法,该方法可以从一组整体密度测量值中推断出彩色胶片的分析密度。这为选择光源提供了必要的光谱信息。实验部分报告了对来自档案材料的两个摄影样品的分析:一种来自1940年代的Technicolor和Agfacolor。实验强调了所分析样品的独特光谱特征。人们将注意力集中在彩色胶卷的历史美学和与彩色胶卷保存相关的伦理问题上。

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