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Hypertext in Mutation: The Mapping of a Mythos

机译:变异中的超文本:神话的映射

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摘要

Currently, hypertext exists in its earlier state as webpage, connected to various other nodes of relevant information or advertising online, in interactive narratives such as Geoff Ryman's 253, as hyperlinks housed within static documents like PDF's or Word files, or hyperlinks shelved between layers of blogging data and Facebook walls (to name a few social media outlets). Hypertext is understood as operating between poles - as a means of electronic or digital freedom granted to the reader, or as the opposite, the illusion of freedom granted by a controlled system set up by the author. This paper explores the third space for hypertext by making use of the process of using hypertext; the space wherein a user or participant is directly interacting with hypertext and thus influences the reader-author relationship by creating a subjective reading (and therefore a subjective document) of a series of nodes and proposes that appropriate interface can create design synthesis.
机译:当前,超文本以其早期状态存在于网页中,并与交互式信息中的其他叙述节点(如Geoff Ryman 253)相连,并与各种其他相关信息节点或在线广告联系在一起,这些超文本以超文本形式存在于PDF或Word文件之类的静态文档中,或者以超文本形式存在于各层之间博客数据和Facebook墙(仅举几个社交媒体)。超文本被理解为在两极之间运行-是授予读者的电子或数字自由手段,或者相反,是作者建立的受控系统赋予的自由幻想。本文通过利用超文本的过程来探索超文本的第三空间。用户或参与者直接与超文本交互的空间,因此通过创建一系列节点的主观阅读(因此是主观文档)来影响读者与作者的关系,并提出适当的接口可以创建设计综合。

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