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Socio-materiality of online music ensembles: An analysis based on cultural artifacts affordances

机译:在线音乐的社会重要性合奏:基于文化人工制品和可负担性的分析

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The paper builds on practice-based theories and cyber-archaeology to establish an analytical lens for understanding socio-material aspects of online music ensembles. The domain of investigation is music notation lessons (MNLs) as conducted using the DIAMOUSES system. The proposed practice-based framework rests on two notions - cultural artifacts of practice and quality attributes designating design affordances. These constructs are used to guide an interviewing strategy for gaining detailed insights into MNLs. It turns out that the availability of cultural participants for interviewing - which is not possible in traditional archaeological inquiries - augments the explanatory value of virtual excavations and yields a wealth of supplementary data. This is demonstrated using a concrete case study focusing on what members are actually doing as well as how their social encounters are revived as virtual tells of the online ensemble. Finally, the empirical evidence is used to anchor on-going design work in collaborative music making scenarios.
机译:本文建立在基于实践的理论和网络考古学的基础之上,以建立一个分析镜头,以理解在线音乐合奏的社会物质方面。研究的领域是使用DIAMOUSES系统进行的音乐记谱课(MNL)。提议的基于实践的框架基于两个概念-实践的文化产物和指定设计能力的质量属性。这些结构用于指导采访策略,以获取有关MNL的详细见解。事实证明,可以进行文化采访的参与者(这在传统考古研究中是不可能的),可以增加虚拟挖掘的解释价值,并可以提供大量的补充数据。这是通过一个具体的案例研究来证明的,该案例研究的重点是成员的实际行为以及如何通过在线集成的虚拟方式恢复其社交见解。最后,经验证据可用于在协同音乐制作场景中进行正在进行的设计工作。

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