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Replications of Critical Technological Processes and the Use of Replicates as Characterization Standards: An Experiment in Undergraduate Education

机译:关键技术过程的复制和复制品作为表征标准的使用:本科教育实验

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The technology of artifacts is analyzed and reconstructed by comparison with known craft practices, the physical and chemical constraints imposed by the raw materials, and the sequence and steps for processing those materials to achieve certain optical and mechanical properties. Understanding of craft knowledge is best pursued by practice, coupled with technical analysis. Six case studies of hands-on, undergraduate student laboratory projects are presented. The studies include testing parameters for the making of stenciled hand images similar to those at caves such as Gargas from the Upper Paleolithic period in France, the variation in processing required to produce Egyptian blue pigments and objects, controlling composition to form either green or turquoise-blue colors in Islamic lead-containing glazes, optimizing the ratio of various pigments to gum Arabic medium in tomb paintings to evaluate application and durability, molding East Asian gokok beads in imitation of jade, and making and radiographing a mock-up of a damaged statue on the facade at the San Xavier Mission as a standard for comparison with the original. In each case, various parameters are varied to model the appearance, structure and composition of an object, and the students benefited from the experience of developing research questions and from their involvement in original research projects.
机译:通过与已知的工艺实践,原材料施加的物理和化学限制以及处理这些材料以实现某些光学和机械性能的顺序和步骤进行比较,来分析和重建人工制品的技术。最好结合实践和技术分析来了解工艺知识。提出了六个动手的本科生实验室项目的案例研究。这些研究包括测试模版手部图像的测试参数,这些参数类似于在洞穴中的模版,例如法国上古石器时代的加尔加斯(Gargas),生产埃及蓝色颜料和物体所需的工艺变化,控制成分以形成绿色或青绿色。伊斯兰含铅釉料中的蓝色,优化坟墓画中各种颜料与阿拉伯树胶的比例,以评估其应用和耐用性,模仿翡翠塑造东亚gokok珠子,并对受损雕像的模型进行制作和射线照相在San Xavier Mission的立面上进行装饰,以此作为与原始建筑进行比较的标准。在每种情况下,都可以改变各种参数来模拟对象的外观,结构和组成,并且学生将受益于提出研究问题的经验以及他们参与原始研究项目的经验。

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