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Effects of Stimulus Duration and Vowel Quality in Tone Perception by English Musicians and Non-musicians

机译:刺激持续时间和元音质量对英语音乐家和非音乐家的音调感知的影响

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The link between music and language has been a subject of great interest, and evidence suggesting a connection between musical abilities and prosodic processing skills in language is growing. Acoustic fundamental frequency (F0), perceived as pitch, differentiates notes in music and word meaning in lexical tone languages. This study examines categorical perception of pitch stimuli among 14 English musicians and 15 English non-musicians, both groups having no exposure to tonal languages. The stimuli consist of continua of falling and rising F0 contours produced on high and low vowels with 9 different durations. The results revealed that musicians were more sensitive to variation in stimulus duration than non-musicians were, and music experience enhanced the sharpness of category boundaries. Significant main effects of vowel quality and pitch directions as well as two-way interactions between vowel and pitch direction, vowel and duration, group and duration, and pitch direction and duration on identification rate were also found. Formulae for minimum duration required for English musicians and non-English musicians to perceive rising and falling F0 were derived, revealing that musicians require less time to perceive a pitch fall and rise if the change is less than 12semitones.
机译:音乐和语言之间的联系一直是引起人们极大兴趣的主题,并且越来越多的证据表明音乐能力和语言的韵律处理能力之间的联系正在增长。感知为音高的声学基频(F0)区分音乐中的音符和词汇音调语言中的词义。这项研究调查了14位英国音乐家和15位英国非音乐家中对音调刺激的绝对感知,这两个群体都没有接触过音调语言。刺激包括在9个不同持续时间的高和低元音上产生的F0下降和上升轮廓的连续性。结果表明,与非音乐家相比,音乐家对刺激持续时间的变化更敏感,音乐经验提高了类别边界的清晰度。还发现元音质量和音高方向以及元音和音高方向,元音和持续时间,组和持续时间,音高方向和持续时间以及音高方向和持续时间之间的双向交互对识别率具有重要的主要影响。推导了英语音乐家和非英语音乐家感知F0上升和下降所需的最短持续时间公式,该公式表明,如果变化小于12个半音,则音乐家需要更少的时间来感知音高的下降和上升。

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