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THE ENVIRONMENT AND FENG SHUI APPLICATION IN CHEONG FATT TZE MANSION, PENANG, MALAYSIA

机译:马来西亚槟城昌发大厦的环境及风水应用

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Feng Shut, literarily translated as wind and water, forms part of the Chinese traditional architecture theory. The philosophy aims to achieve harmonious equilibrium among nature, buildings and people. It continues to be used in dwelling site selections and layout of buildings as well as in the environmental planning, especially in the Form School Feng Shui school of thought. It focuses on site analysis, landscapes and building placements with emphasis on designing with nature and the environment. This Feng Shui approach can be traced in the building design of the Peranakan style architecture of Cheong Fatt Tze Mansion, a unique architecture in George Town, Penang. It is a mix of Chinese, Malay and colonial building styles. Unfortunately, this mansion has not been verified with the Feng Shui approach in relating the architecture with nature, despite a claim that was made of its application and for other buildings of the same style. This study addresses the cultural sensitivity of this architecture as a case study in embracing nature for its Feng Shui application. Qualitative analysis was employed to determine whether the design of this mansion corresponded well with favourable architectural conditions placed in the environment as stated in the Form School approach. The method applied included measured drawings, ethnography study of the Peranakan culture, interviews with identified Feng Shui masters and the mansion's owners. The mansion's architectural design conformed to the philosophy adapted from the Form School approach, especially in the architectural language. The conformity further addresses challenges and opportunities in pursuing the sustainable design approach based on the significance of Feng Shui, pertaining to the minimum use of energy and exploitation of natural ventilation and natural lighting. The Feng Shui Form School approach has significantly demonstrated the interrelationships between the architecture and the environment, specifically in this Peranakan architecture of Penang.
机译:冯叔,字面上被翻译成风与水,构成了中国传统建筑理论的一部分。该哲学旨在实现自然,建筑和人之间的和谐平衡。它继续用于住宅地点的选择和建筑物的布局以及环境规划中,尤其是在风水学派学校中。它侧重于场地分析,景观和建筑布置,重点在于与自然和环境一起进行设计。这种风水方法可以追溯到槟城乔治市独特的建筑Cheong Fatt Tze Mansion的土生华人风格的建筑设计。它融合了中国,马来和殖民时期的建筑风格。不幸的是,尽管有人声称它的用途以及用于其他相同风格的建筑物,但尚未通过风水方法验证该豪宅是否将建筑与自然联系起来。本研究探讨了这种建筑的文化敏感性,以此作为风水应用拥抱自然的案例研究。使用定性分析来确定这所豪宅的设计是否与Form School方法所述的环境中的有利建筑条件相吻合。所采用的方法包括测量图纸,对土生华人文化的人种学研究,与已确定的风水大师和豪宅所有者进行访谈。豪宅的建筑设计符合从形式学校方法改编的哲学,尤其是在建筑语言方面。该合规性基于风水的重要性,涉及可持续发展的设计方法,这涉及到挑战和机遇,这涉及到最少的能源使用以及对自然通风和自然采光的利用。风水形式学校的方法已充分证明了建筑与环境之间的相互关系,特别是在槟城的土生华人建筑中。

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