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THE NEED FOR A CATHARSIS INTO THE SPACE PROGRAMME. UTILIZING THE GREEK TRAGEDY'S COERSIVE SYSTEMS INTO SPACE EDUCATION AND OUTREACH

机译:对空间计划进行分类的需求。利用希腊悲剧的强制性系统进行空间教育和推广

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Greek philosopher Aristotle explains in the Poetics the basics of the dramatic form Tragedy. The state acts as a creative patron and supports Tragedy ultimate goal: the Katharsis (Catharsis)_ or purification of the masses. Tragic plays achieves this by structuring the dramatic forms into two main characters: The Tragic Hero, who follows a personal quest and the Chorus, who represents the mass. Greeks believed that in order to access the catharsis of the masses, the narrative' arc had to follow a pattern. The Peripeteia, which involves a radical change into the main character's destiny; Anagnorisis, the act of reflecting or the recognition of the main character's flaw and the Catastrophe; the consequences of the main hero's errors. This also marks the start of cultural ownership by the State through the commissioning of theatrical productions. The State was indeed acting as a patron. Therefore Greek Tragedy belonged to an ideology, in its needs to respond to a political agenda and fulfill a societal purpose: the one of the purification of the masses. This catharsis, which results in the spectatorship's ultimate empathy and purification, can only happen if triggered by the fear of the catastrophc(Bucti, 2012). Tragedy established the coercion of the people with the state. On the other side of the spectrum and of State's endorsed activities, Space Education and Outreach is oscillating through flux of interest and disinterest from members of the public. While space and its exploration involves a real level of adversity, this is often not communicated to members of the public despite the fact that for most, any human preparation for outer space involves preparing for unexpected failures. (Handberg. 2003). "We are in a risky business, and we hope that if anything happens to us it will not delay the program.'' Grissom, Commander of Apollo 1. So; would Space Education and Outreach benefit from following the Greek Tragedy coercive systems and narrative arc into the delivery of space missions to members of the public? This paper proposes to apply Greek Tragedy and its methods and narrative arc to the communication systems of Space Education and Outreach. In this it will simultaneously convey the idea of human adversity and risk; paired with great discovery and exploration. I will explain the value and systems of such an antic perspective into the current space outreach communication, using 3 projects I worked on as the basis of the study.
机译:希腊哲学家亚里斯多德在诗学中解释了戏剧形式悲剧的基础。国家是一个有创造力的赞助人,并支持悲剧的最终目标:凯撒线(Catharsis)_或群众的净化。悲剧戏剧通过将戏剧形式构造为两个主要角色来实现这一目标:遵循个人追求的悲剧英雄和代表群众的合唱团。希腊人认为,为了进入大众的宣泄,叙事的弧线必须遵循一种模式。佩里佩蒂亚(Peripeteia),涉及到主人公命运的根本改变;预言,反映或认识主角的缺陷和灾难的行为;主要英雄错误的后果。这也标志着国家通过委托戏剧制作开始文化所有权。国家确实在充当赞助人。因此,希腊悲剧属于一种意识形态,它需要回应政治议程并实现社会目的:这是群众的净化之一。这种宣泄导致观众的最终移情和净化,只有在对灾难的恐惧中触发时才能发生(Bucti,2012)。悲剧确立了国家对人民的胁迫。另一方面,在国家认可的活动中,空间教育和外展活动正在通过公众的兴趣和不满情绪不断波动。尽管太空及其探索涉及真实的逆境,但是尽管事实上大多数人为外层空间所做的任何准备都涉及为意外失败做准备,但通常并没有将其传达给公众。 (Handberg.2003)。阿波罗司令格里索姆(Grissom)1.阿波罗(Apollo)指挥官格里索姆(Grissom)1.因此,遵循希腊悲剧的强制性系统和叙事将使太空教育和外展受益本文建议将希腊悲剧及其方法和叙述性弧形应用于空间教育和外联交流系统,从而同时传达人类逆境和风险的观念;结合伟大的发现和探索,我将以我研究的3个项目为基础,解释这种滑稽的观点对当前空间外展交流的价值和系统。

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